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Emmett Moore: Surface Tension

Interested in sculptural problem solving, function, and fabrication, Moore reduces tables, hanging lights, and wall tiles to smart and basic forms. Computer rendering programs can allow for a certain level of fantasy: you can skew the perspective, apply surface treatments, select and perfect, just by sending commands.

Adler Guerrier: Here, Place the Lever.

Invested in what we might call vernacularism, Adler Guerrier’s most recent solo exhibition, Here, Place the Lever at David Castillo Gallery, is a semiotic investigation and poetic rendering of the urban landscape of Miami.

Rashid Johnson: Message to Our Folks

A central feature of many of his recent works, Johnson’s use of mirrors functions on multiple levels: reflecting the viewer, reflecting other works across the gallery, and offering windows of space inside which viewers can participate in alternate, duplicate, and distorted realities.

Victoria Newhouse: Site and Sound

The orchestra is not formally dressed, but in jeans. People mill about; the audience is gone. The scene is most likely not even that of a rehearsal, but of a class in session. This reflects New World itself, as a symphony and an orchestral academy in one, and a very public place.

Meredyth Sparks: So I Will Let It Alone And Talk About The House

Quiet and deadpan, Sparks’s photographic collages/assemblages, sculptural installations and first-ever animation are fixated on the etymological origins and contemporary application of extraction. Though elements of the pieces felt precious, whether by craft or by pattern, together they coolly examined how interior space and décor are often viewed as functions of gender and form.

felecia chizuko carlisle: facade

Printing (and, in one case, projecting) digital images of building façades on the reflective acrylic surfaces of variously shaped, smallish geometric wood objects, Carlisle installed these in the gallery space, where they perched nervously, tenuously—folded in the seam between two walls, as if poured down the side of a white wooden table, fluttering jaggedly at eye-level.

LAURA A. OGDEN’S SWAMPLIFE: PEOPLE, GATORS, AND MANGROVES ENTANGLED IN THE EVERGLADES

The Everglades are wild. Designated a Wilderness Area in 1978, the Marjory Stoneman Douglas Wilderness Area comprises the vast majority of Everglades National Park and is by far the largest Wilderness Area east of the Mississippi.