Tag Archives: Martine Syms
I saw a sound check version of Martine Syms’s Nite Life, which seems fitting for a work that investigates a raw club recording made in Miami in 1963 by Sam Cooke that wasn’t released until decades after his death. I heard a few comments after the actual performance that mostly dealt with the discussion about which category the work might fall under: is it an artwork? Is it merely a lecture? From where does its merit come? Increasingly, we see artists or cultural producers creating work that exists between boundaries.