The Miami Rail https://validator.w3.org/feed/docs/rss2.html FUTURE CITIES: MIAMI | RESEARCH INTENSIVE PUBLIC SESSION The Love Song of R. Buckminster Fuller: Review + Interviews with Sam Green and Ira Kaplan BEST SHOW: Alice Rawsthorn on 5 Weeks, 25 Days, 175 Hours by Maria Eichhorn at Chisenhale Gallery, London SARAH OPPENHEIMER’S Unique Brand of Infrastructural Friction at PAMM Several Iterations of Spring NO MORE SAND: Thoughts Composed Discursively aboard the SuperFast Gambling Boat Somewhere between Miami and Bimini Email Verification Submit Studio Life: Rituals, Collections, Tools and Observations on the Artistic Process Admiralty Sound Expedition Report MĂIASTRA: A History of Romanian Sculpture in Twenty-Four Parts Front Yard / Backyard Russell Maltz, Painted/Stacked 2014 – Conveyance An Incomplete History of Elephants in Miami Dérives Versus Derivatives: the Future/s Value of The Underline 128-BIT PALMS: Criminality In and Out of Vice City BEST SHOW: CATHERINE INCE ON ARCADES PROJECT: CONTEMPORARY ART AND WALTER BENJAMIN AT THE JEWISH MUSEUM, NEW YORK, 2017 The Storytellers of Harsh Terrain Michael Jones Mckean, we float above to spit and sing Julie Hill: A Rake’s Progress troy siMMons: urBAn concrete, huMAn coLor The Event of a Thread Burneshas of Albania by Jill Peters Modern Martyrs Issue 22 Archives Issue 23 (Spring 2018) IN THE PINES BEST SHOW: Vicky Richardson on GEGO. LINE as Object at The Henry Moore Foundation Leeds, 2014 About ISSUE 22- Editor’s Note ON RECALIBRATING COLLABORATION Ojalá Que la Música Nos Una: The National Arab Orchestra in Miami Drumming for the Black Madonna How the Voice Outlives the Body: A Conversation with Carmen Maria Machado Best Show: Sam Jacob on Thorne Miniature Rooms at the Art Institute of Chicago Best Show: BRENDAN CORMIER on RAGNAR KJARTANSSON AT BARBICAN, LONDON, 2016 Home Shirin Neshat: Fervor and Turbulent Art as Prayer, Faith as Art ON DOCUMENTARY ABSTRACTION Right Advice, ADVICE NOT GIVEN: A GUIDE TO GETTING OVER YOURSELF BY MARK EPSTEIN Dara Friedman, Perfect Stranger Widening the Horror Genre: A Conversation with Victor LaValle WILLIAM WALKER: BETWEEN HIS ARRIVAL & EXECUTION IN HONDURAS (1860) WE HOPE T Returns to Atone for Molestation The Visitor’s Gaze: Cristina García and Here in Berlin The Art Of The Italian Two-Wheel Summer 2017