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# The Miami Rail

## Sitemaps

- [XML Sitemap](https://miamirail.org/sitemap.xml): Contains all public & indexable URLs for this website.

## Posts

- [Summer 2017](https://miamirail.org/summer-2017/)
- [NO MORE SAND: Thoughts Composed Discursively aboard the SuperFast Gambling Boat Somewhere between Miami and Bimini](https://miamirail.org/winter-2015/no-more-sand-thoughts-composed-discursively-aboard-the-superfast-gambling-boat-somewhere-between-miami-and-bimini/)
- [SARAH OPPENHEIMER’S Unique Brand of Infrastructural Friction at PAMM](https://miamirail.org/visual-arts/sarah-oppenheimers-unique-brand-of-infrastructural-friction-at-pamm/)
- [Several Iterations of Spring](https://miamirail.org/reviews/several-iterations-of-spring/)
- [FUTURE CITIES: MIAMI | RESEARCH INTENSIVE PUBLIC SESSION](https://miamirail.org/issue-23/future-cities-miami-research-intensive-public-session/)
- [The Love Song of R. Buckminster Fuller: Review + Interviews with Sam Green and Ira Kaplan](https://miamirail.org/performing-arts/the-love-song-of-r-buckminster-fuller-review-interviews-with-sam-green-and-ira-kaplan/)
- [BEST SHOW: Alice Rawsthorn on 5 Weeks, 25 Days, 175 Hours by Maria Eichhorn at Chisenhale Gallery, London](https://miamirail.org/issue-23/best-show-alice-rawsthorn-on-5-weeks-25-days-175-hours-by-maria-eichhorn-at-chisenhale-gallery-london/)
- [Admiralty Sound Expedition Report](https://miamirail.org/summer-2016/admiralty-sound-expedition-report/)
- [MĂIASTRA: A History of Romanian Sculpture in Twenty-Four Parts](https://miamirail.org/fall-2015/maiastra-a-history-of-romanian-sculpture-in-twenty-four-parts-3/)
- [The Storytellers of Harsh Terrain](https://miamirail.org/essays/the-storytellers-of-harsh-terrain/) - In July of the year 1900, fisherman John “Old Man” Gomez succumbed to the Florida swamp under mysterious circumstances. He had claimed to be born in 1778 which would have made him 122.
- [Dérives Versus Derivatives: the Future/s Value of The Underline](https://miamirail.org/architecture/derives-versus-derivatives-the-futures-value-of-the-underline/)
- [128-BIT PALMS: Criminality In and Out of Vice City](https://miamirail.org/visual-arts/128-bit-palms-criminality-in-and-out-of-vice-city/)
- [Michael Jones Mckean, we float above to spit and sing](https://miamirail.org/52-reviews/michael-jones-mckean-we-float-above-to-spit-and-sing/)
- [Front Yard / Backyard](https://miamirail.org/essays/front-yard-backyard/)
- [Russell Maltz, Painted/Stacked 2014 – Conveyance](https://miamirail.org/reviews/russell-maltz-paintedstacked-2014-conveyance/)
- [BEST SHOW: CATHERINE INCE ON ARCADES PROJECT: CONTEMPORARY ART AND WALTER BENJAMIN AT THE JEWISH MUSEUM, NEW YORK, 2017](https://miamirail.org/issue-23/best-show-catherine-ince-on-arcades-project-contemporary-art-and-walter-benjamin-at-the-jewish-museum-new-york-2017/)
- [An Incomplete History of Elephants in Miami](https://miamirail.org/essays/an-incomplete-history-of-elephants-in-miami/)
- [Julie Hill: A Rake's Progress](https://miamirail.org/web-exclusives/julie-hill-a-rakes-progress/)
- [Studio Life: Rituals, Collections, Tools and Observations on the Artistic Process](https://miamirail.org/reviews/studio-life-rituals-collections-tools-and-observations-on-the-artistic-process/) - Since art is primarily experienced as something that’s been completed—with all of the source material, labor, ideas and time compressed and locked into an object on display—the weirder appendices of its production are rarely seen. The talismans that artists collect and keep in their studios may be enigmatic, banal and functional.
- [The Event of a Thread](https://miamirail.org/issue-23/the-event-of-a-thread/)
- [troy siMMons: urBAn concrete, huMAn coLor](https://miamirail.org/visual-arts/troy-simmons-urban-concrete-human-color/) - Troy Simmons work carries with it social conviction.
- [Burneshas of Albania by Jill Peters](https://miamirail.org/visual-arts/jill-peters-burneshas-of-albania/)
- [Modern Martyrs](https://miamirail.org/visual-arts/modern-martyrs/)
- [IN THE PINES](https://miamirail.org/literature/in-the-pines/)
- [BEST SHOW: Vicky Richardson on GEGO. LINE as Object at The Henry Moore Foundation Leeds, 2014](https://miamirail.org/issue-23/best-show-vicky-richardson-on-gego-line-as-object-at-the-henry-moore-foundation-leeds-2014/)
- [ISSUE 22- Editor's Note](https://miamirail.org/issue-22/issue-22-editors-note/) - Issue 22 Editor's note.
- [Ojalá Que la Música Nos Una: The National Arab Orchestra in Miami](https://miamirail.org/issue-23/ojala-que-la-musica-nos-una-the-national-arab-orchestra-in-miami/)
- [ON RECALIBRATING COLLABORATION](https://miamirail.org/issue-23/on-recalibrating-collaboration/)
- [Drumming for the Black Madonna](https://miamirail.org/issue-23/drumming-for-the-black-madonna/)
- [WILLIAM WALKER: BETWEEN HIS ARRIVAL & EXECUTION IN HONDURAS (1860)](https://miamirail.org/literature/william-walker-between-his-arrival-execution-in-honduras-1860/)
- [Art as Prayer, Faith as Art](https://miamirail.org/architecture/art-as-prayer-faith-as-art/)
- [ON DOCUMENTARY ABSTRACTION](https://miamirail.org/exhibition-reviews/on-documentary-abstraction/)
- [How the Voice Outlives the Body: A Conversation with Carmen Maria Machado](https://miamirail.org/literature/how-the-voice-outlives-the-body-a-conversation-with-carmen-maria-machado/)
- [Best Show: Sam Jacob on Thorne Miniature Rooms at the Art Institute of Chicago](https://miamirail.org/issue-23/best-show-sam-jacob-on-thorne-miniature-rooms-at-the-art-institute-of-chicago/)
- [Best Show: BRENDAN CORMIER on RAGNAR KJARTANSSON AT BARBICAN, LONDON, 2016](https://miamirail.org/issue-23/best-show-brendan-cormier-on-ragnar-kjartansson-at-barbican-london-2016/)
- [Shirin Neshat: Fervor and Turbulent](https://miamirail.org/reviews/shirin-neshat-fervor-and-turbulent/)
- [Right Advice, ADVICE NOT GIVEN: A GUIDE TO GETTING OVER YOURSELF BY MARK EPSTEIN](https://miamirail.org/book-reviews/right-advice-advice-not-given-a-guide-to-getting-over-yourself-by-mark-epstein-ana-menendez/)
- [Dara Friedman, Perfect Stranger](https://miamirail.org/issue-23/dara-friedman-perfect-stranger/)
- [Widening the Horror Genre: A Conversation with Victor LaValle](https://miamirail.org/literature/widening-the-horror-genre-a-conversation-with-victor-lavalle/)
- [WE HOPE](https://miamirail.org/literature/we-hope/)
- [T Returns to Atone for Molestation](https://miamirail.org/uncategorized/t-returns-to-atone-for-molestation/)
- [The Visitor’s Gaze: Cristina García and Here in Berlin](https://miamirail.org/literature/the-visitors-gaze-cristina-garcia-and-here-in-berlin/)
- [The Art Of The Italian Two-Wheel](https://miamirail.org/reviews/the-art-of-the-italian-two-wheel/)
- [FOUR POEMS](https://miamirail.org/literature/four-poems/)
- [Archival Practices in Contemporary Salvadoran Art](https://miamirail.org/issue-23/archival-practices-in-contemporary-salvadoran-art/)
- [Everybody Rides for Free: a Conversation with Carsten Höller](https://miamirail.org/visual-arts/everybody-rides-for-free-a-conversation-with-carsten-holler/)
- [MĂIASTRA: A HISTORY OF ROMANIAN SCULPTURE IN TWENTY-FOUR PARTS](https://miamirail.org/literature/maiastra-a-history-of-romanian-sculpture-in-twenty-four-parts-9/)
- [A Thread of Execution](https://miamirail.org/exhibition-reviews/a-thread-of-execution/)
- [Dale Zine Miami: Mall as Community as Art](https://miamirail.org/web-exclusives/online-reviews/dale-zine-miami-community-as-art/)
- [REVIEW: "INTRO" by Alan Gutierrez at CCE Miami](https://miamirail.org/visual-arts/review-intro-by-alan-guttierez-at-centro-cultural-espanol/)
- [In the wildness of daughterhood: Beast Meridian by Vanessa Angélica Villarreal](https://miamirail.org/book-reviews/in-the-wildness-of-daughterhood-beast-meridian-by-vanessa-angelica-villarreal/)
- [The Justification of Modernist Painting:  A Review of Frank Stella: Experiment and Change](https://miamirail.org/exhibition-reviews/review-frank-stella-experiment-and-change/)
- [Rust and Blood: A Review of Jennifer Clement’s Gun Love](https://miamirail.org/web-exclusives/online-reviews/rust-and-blood-a-review-of-jennifer-clements-gun-love/)
- [Category Is—Family, Love, and Heartbreak: The House of Impossible Beauties by Joseph Cassara](https://miamirail.org/reviews/category-is-family-love-and-heartbreak-the-house-of-impossible-beauties-by-joseph-cassara/)
- [Tom Scicluna, FREE, at Under the Bridge](https://miamirail.org/web-exclusives/online-reviews/tom-scicluna-free-at-under-the-bridge/)
- [Women As Design Drivers](https://miamirail.org/architecture/woman-as-design-drivers/) - At Perkins+Will, I’ve found a community of thinkers who are deeply knowledgeable and empowered to make a difference. We can heal, educate, and provide through design. 
- [The GroundUP Sound Comes Back Around](https://miamirail.org/uncategorized/the-groundup-sound-comes-back-around/)
- [Film Review: The Square](https://miamirail.org/film-performing-arts/film-review-the-square/)
- [CLOSE TO YOU (TIME TO BE ALONE)](https://miamirail.org/visual-arts/close-to-you-time-to-be-alone/)
- [Painless Parking at Pelican Palace](https://miamirail.org/reviews/painless-parking-at-pelican-palace/)
- [Estructuras de la Razón: Interview with Adrián S. Bará](https://miamirail.org/visual-arts/estructuras-de-la-razon-interview-with-adrian-s-bara/)
- [We Now Return to Regular Life by Martin Wilson](https://miamirail.org/book-reviews/we-now-return-to-regular-life-by-martin-wilson/)
- [An Exquisite Corpse: Charles Recher 1950-2017](https://miamirail.org/issue-22/an-exquisite-corpse-charles-recher-1950-2017-2/)
- [The Honeybee Conjecture](https://miamirail.org/literature/the-honeybee-conjecture/) - So many years had passed since the bees vanished that none of us could recall the taste of honey.
- [Next Time, Won't You Sing With Me: Intuitive Alphabet by Michele Oka Doner](https://miamirail.org/literature/next-time-wont-you-sing-with-me-intuitive-alphabet-by-michele-oka-doner/)
- [The Return of Deep City](https://miamirail.org/issue-22/the-return-of-deep-city/) - Jamming with the icons of Miami's hey-days of blues.
- [Măiastra: a history of Romanian Sculpture in twenty-four parts](https://miamirail.org/visual-arts/măiastra-a-history-of-romanian-sculpture-in-twenty-four-parts-2/)
- [Bonevardi, a Seeker of Mystical Geographies](https://miamirail.org/uncategorized/bonevardi-a-seeker-of-mystical-geographies/)
- [Domingo Castillo, Tropical Malaise or The Perfect Storm](https://miamirail.org/reviews/domingo-castillo-tropical-malaise-or-the-perfect-storm-2/)
- [THE MFU AT ARTCENTER/SOUTH FLORIDA](https://miamirail.org/issue-22/the-mfu-at-artcentersouth-florida-syllabus/) - MFU Syllabus.
- [FLORIDA GOTHIC](https://miamirail.org/issue-22/florida-gothic-by-michelle-lizet-flores/) - Three poems.
- [On Riots](https://miamirail.org/issue-22/on-riots/)
- [Michael Meredith Wants to be Horizontal and Fuzzy](https://miamirail.org/issue-22/michael-meredith-wants-to-be-horizontal-and-fuzzy/)
- [discussions of gender identities and visual art in Post-War el salvador](https://miamirail.org/visual-arts/discussions-of-gender-identities-and-visual-art-in-post-war-el-salvador/)
- [the root of MY furY: on WoMen artists "getting their due"](https://miamirail.org/essays/the-root-of-my-fury-on-women-artists-getting-their-due/) - The third time I saw the Herrera show, the space around them was silent.
- [On Life As Art](https://miamirail.org/issue-22/on-life-as-art/)
- [Dave Hickey on Songwriting](https://miamirail.org/issue-22/dave-hickey-on-songwriting/)
- [Fable of Frogs](https://miamirail.org/literature/fable-of-frogs/) - We were dozing and floating in the night waters of the Redlands.
- [The World According to Mika Rottenberg: The Artist in Conversation](https://miamirail.org/visual-arts/the-world-according-to-mika-rottenberg-the-artist-in-conversation/) - It was really when Google started, so the idea of searching for different people online was new.
- [This is not about you](https://miamirail.org/literature/this-is-not-about-you/) - Bantu knots, baby-hairs and dreadlocks.
- [Just Like That](https://miamirail.org/literature/just-like-that/) - I found a triangular stone for you on the beach and sent it in a letter
- [Mother Tongue](https://miamirail.org/literature/mother-tongue/) - I don’t know. The truth is, I want to protect him. Yes, I want to empower him with fluency in Spanish, his mother’s mother tongue.
- [Pageslayers lays down literary roots in the Opa-Locka community](https://miamirail.org/essays/pageslayers-lays-down-literary-roots-in-the-opa-locka-community/) - I asked where he’d rather be. He smiled and said, “Here.”
- [Marcelo Bonevardi: A Metaphysical Absence](https://miamirail.org/visual-arts/marcelo-bonevardi-a-metaphysical-absence/)
- [The Roots and Reality of Europe’s Biggest Street Party](https://miamirail.org/essays/the-roots-and-reality-of-europes-biggest-street-party/) - ut the reality of my experience was a rare feeling of complete contentment in witnessing an historic celebration of Afro-Caribbean music and dance culture while being periodically doused with chocolate water, paint and colored powder bombs, marching along in a sweaty crush of 2,000 party people I’ve never met.
- [Miami Book Fair 2017 Authors Address Free Speech ](https://miamirail.org/issue-22/miami-book-fair-2017-authors-address-free-speech/) - The Miami Rail asked participating writers of the 2017 Miami Book Fair International whether they support free speech at all costs.
- [EVERY WOMAN NEEDS A ROOM OF HER OWN: IN CONVERSATION WITH POORGRRRL'S TARA LONG](https://miamirail.org/issue-22/every-woman-needs-a-room-of-her-own-in-conversation-with-poorgrrrls-tara-long/)
- [Between New York and Tehran: Directory of Portrayals](https://miamirail.org/visual-arts/between-new-york-and-tehran-directory-of-portrayals/) - It was important to me to make visible the conceptual, scenographic, and dramaturgical challenges in the making of the opera.
- [John Dunkley: Neither Day Nor Night](https://miamirail.org/visual-arts/john-dunkley-neither-day-nor-night/)
- [Visionary Violence: Return to the Dark Valley by Santiago Gamboa](https://miamirail.org/book-reviews/visionary-violence-return-to-the-dark-valley-by-santiago-gamboa/)
- [Zara McFarlane: Riddim Nation](https://miamirail.org/issue-22/zara-mcfarlane-riddim-nation/) - Zara McFarlane, jazz prodigy, has a full plate.
- [Adler Guerrier: Deployed, Conditional, and Limited Utopia](https://miamirail.org/reviews/adler-guerrier-deployed-conditional-and-limited-utopia/)
- [The Black Aesthetic at the Living Room Light Exchange](https://miamirail.org/essays/the-black-aesthetic-at-the-living-room-light-exchange/)
- [The State of Arts Funding: Deana Haggag and Dennis Scholl in Conversation](https://miamirail.org/visual-arts/the-state-of-arts-funding-deana-haggag-and-dennis-scholl-in-conversation/)
- [A Survivor’s Prayer: A Review of Ordinary Beast by Nicole Sealey](https://miamirail.org/reviews/ordinary-beast-nicole-sealey/) - Nicole Sealey’s Ordinary Beast emotionally builds throughout the collection from trauma, to love, ultimately breaching into the last frontier of hope.
- [The Homes We Left Behind](https://miamirail.org/literature/the-homes-we-left-behind/) - Keys as the last tangible reminders of homes left behind.
- [Ghosts of the Archive: A Review of Rosa Alcalá’s MyOther Tongue](https://miamirail.org/reviews/ghosts-of-the-archive-a-review-of-rosa-alcalas-myother-tongue/)
- [LA RUTA De LA AMiSTAD: Photography](https://miamirail.org/issue-22/la-ruta-de-la-amistad-photography-by-richard-massey/)
- [Beige Bubble Bodies: New People by Danzy Senna](https://miamirail.org/literature/beige-bubble-bodies-new-people-by-danzy-senna/)
- [Miami Motel Stories: Little Havana’s History Through Immersive Theater](https://miamirail.org/events/miami-motel-stories-little-havana-theater/)
- [KAREN RIFAS: PER FORMS](https://miamirail.org/summer-2017/karen-rifas-per-forms/)
- [Robert Chambers: Iron Oar](https://miamirail.org/exhibition-reviews/robert-chambers-iron-oar/)
- [Gal Weinstein: Israeli Pavilion 57th Venice Biennale](https://miamirail.org/exhibition-reviews/gal-weinstein/)
- [Activating Objects: The Art of Play, Part I](https://miamirail.org/summer-2017/activating-objects-the-art-of-play-part-i/)
- [TWO AMERICAS AND THE OTHERS IN BETWEEN: A REVIEW OF TALES OF TWO AMERICAS](https://miamirail.org/reviews/two-americas-and-the-others-in-between-a-review-of-tales-of-two-americas-2/)
- [John Akomfra: Tropikos](https://miamirail.org/essays/john-akomfra-tropikos/)
- [The Lolas Speak and Testify: Lolas' House by M. Evelina Galang](https://miamirail.org/literature/evelina-galang-lolas-house-filipino-women-living-with-war/)
- [The Defiant Infanta: a review of Chantel Acevedo's The Living Infinite](https://miamirail.org/reviews/the-defiant-infanta-a-review-of-the-living-infinite-by-chantel-acevedo/)
- [FRAMING, OR, WHAT ARE THE STAKES?: (Black) Artists, (Black) Audiences](https://miamirail.org/visual-arts/framing-or-what-are-the-stakes-black-artists-black-audiences/)
- [Conversations & Cocktails with Emily Raboteau](https://miamirail.org/events/conversations-cocktails-with-emily-raboteau/)
- [ADVICE & APÉRITIFS with Alissa Nutting and Dean Dean Bakopoulos](https://miamirail.org/events/advice-aperitifs-with-alissa-nutting-and-dean-dean-bakopoulos/)
- [Architecture Now: building towards a nomadic future](https://miamirail.org/events/architecture-now-building-towards-a-nomadic-future/)
- [2017 Jamaica Biennial](https://miamirail.org/exhibition-reviews/2017-jamaica-biennial/)
- [Visiting Writer Ryan Dennis](https://miamirail.org/events/visiting-writer-ryan-dennis/)
- [Creating a Platform for Exploration: Four Young Artists Explore Gender Fluidity and Identity](https://miamirail.org/summer-2017/creating-a-platform-for-exploration-four-young-artists-explore-gender-fluidity-and-identity/)
- [A New Day Has Come: A Review of <em>Radical Hope: Letters of Love and Dissent in Dangerous Times</em>](https://miamirail.org/book-reviews/a-new-day-has-come-a-review-of-radical-hope-letters-of-love-and-dissent-in-dangerous-times/)
- [America, Still Beautiful](https://miamirail.org/literature/america-still-beautiful/)
- [Amertec Ephemeral](https://miamirail.org/architecture/amertec-ephemeral/)
- [Islam & the Imagination: Notes from an American Artist in the 21st Century](https://miamirail.org/visual-arts/islam-the-imagination-notes-from-an-american-artist-in-the-21st-century/)
- [Night Sweats](https://miamirail.org/exhibition-reviews/night-sweats/)
- [Craig Baldwin: Science in Action](https://miamirail.org/summer-2017/craig-baldwin-science-in-action/)
- [Conversations in Movement: The 305-Havana International  Improv Fest](https://miamirail.org/performing-arts/conversations-in-movement-the-305-havana-international-improv-fest/)
- [Contemporary Art Has No Future](https://miamirail.org/visual-arts/contemporary-art-has-no-future/)
- [Julio Le Parc: Form Into Action](https://miamirail.org/exhibition-reviews/julio-le-parc-form-into-action/)
- [Nicolas Lobo:  Cash Me Out](https://miamirail.org/exhibition-reviews/nicolas-lobo-cash-me-out/)
- [Between the lines of death:  <em>The Art of Death: Writing the  Final Story</em> by Edwidge Danticat](https://miamirail.org/book-reviews/between-the-lines-of-death-the-art-of-death-writing-the-final-story-by-edwidge-danticat/)
- [Natalie White: A Muse Me](https://miamirail.org/exhibition-reviews/natalie-white-a-muse-me/)
- [Catherine Opie:  700 Nimes Road](https://miamirail.org/exhibition-reviews/catherine-opie-700-nimes-road/)
- [Celebrities, Sex, Pantoums, and Villanelles: Denise Duhamel’s Scald](https://miamirail.org/book-reviews/celebrities-sex-pantoums-and-villanelles-denise-duhamels-scald/)
- [Aquí y Allá:  <em>The Tower of the Antilles</em>  by Achy Obejas](https://miamirail.org/book-reviews/aqui-y-alla-the-tower-of-the-antilles-by-achy-obejas/)
- [The Art of Protest: A review of  Valeria Luiselli’s <em>Tell Me How It Ends</em>](https://miamirail.org/book-reviews/the-art-of-protest-a-review-of-valeria-luisellis-tell-me-how-it-ends/)
- [<em>The German Girl</em>: Refused Entry to Cuba. Again.](https://miamirail.org/book-reviews/the-german-girl-refused-entry-to-cuba-again/)
- [ON PINKNESS: The Pink House and its Secret Spatial Heart](https://miamirail.org/architecture/on-pinkness-the-pink-house-and-its-secret-spatial-heart/)
- [This World We Think We Know so Well](https://miamirail.org/visual-arts/this-world-we-think-we-know-so-well/)
- [Submission](https://miamirail.org/literature/submission/)
- [Three Poems](https://miamirail.org/literature/three-poems-2/)
- [Austerlitz in South Texas](https://miamirail.org/visual-arts/austerlitz-in-south-texas/)
- [On Reading Tyranny](https://miamirail.org/literature/on-reading-tyranny/)
- [Two Poems](https://miamirail.org/literature/two-poems/)
- [Măiastra: A History of Romanian Sculpture in  Twenty-Four Parts](https://miamirail.org/visual-arts/maiastra-a-history-of-romanian-sculpture-in-twenty-four-parts-8/)
- [360 Degrees of Light: Patricia Delgado’s  Next Steps](https://miamirail.org/performing-arts/360-degrees-of-light-patricia-delgados-next-steps/)
- [The Birthing Suite](https://miamirail.org/literature/the-birthing-suite/)
- [A Long Day for the Captain of The  Happy Hooker](https://miamirail.org/literature/a-long-day-for-the-captain-of-the-happy-hooker/)
- [Miami Duo Snakehole's Psychic Live Show Is A Must-See](https://miamirail.org/summer-2017/miami-duo-snakeholes-psychic-live-show-is-a-must-see/)
- [50 States](https://miamirail.org/literature/50-states/)
- [Quickstep](https://miamirail.org/literature/quickstep/)
- [Midnight Thrift](https://miamirail.org/visual-arts/midnight-thrift/)
- [AFTERHEART](https://miamirail.org/literature/afterheart/) - When my son was born, my husband cut the cord, gasping in delight. I knew my secret was safe. He was mine, with the shape of his feet, the pointy ears. When my son, eyes of sea and grass, hair as dark as crows’ wings, suckled, I felt encircled by fire.
- [REDEFINING THE MODERN MUSIC FESTIVAL FROM THE GROUND UP](https://miamirail.org/performing-arts/redefining-the-modern-music-festival-from-the-ground-up/)
- [ART, ECOMONICS AND BISCAYNE: Interview with Ryan N. Dennis and william cordova](https://miamirail.org/spring-2017/art-ecomonics-and-biscayne-interview-with-ryan-n-dennis-and-william-cordova/) - While in Miami as a Visiting Writer for the Miami Rail, I realized quickly that I would only be able to scratch the surface of all that is going on in this culturally rich city. I had a number of great visits to artist studios, museums and private collections,but it was learning about Miami through the perspectives of artist william cordova and Diaspora Vibe founder and activist Rosie Gordon-Wallace that allowed me to see things that may not have otherwise been possible.
- [Betty Tompkins: Sex World/WOMEN Words, Phrases, and Stories](https://miamirail.org/reviews/betty-tompkins-sex-worldwomen-words-phrases-and-stories/) - Betty Tompkins has always been ahead of the game, but she could not have known, when she began her WOMEN Words project in 2002 that “pussy” would become a catalytic term during the 2016 American Presidential campaign. Then again, good timing has eluded the 71-year-old artist throughout her career.
- [WHERE THE LITTLE POT SITS: A Search for Truth in Florida](https://miamirail.org/local/where-the-little-pot-sits-a-search-for-truth-in-florida/) - Truth and power are intimate bedfellows; truth is a colonizing assertion. And yet, truth is also the weaponized knowledge of resistance. “Speak truth to power,” the Quaker saying goes.
- [SUPREMACY](https://miamirail.org/spring-2017/supremacy/) - Diodes of the cable modem haunt the walls a watercolor now I lie awake
- [YOU CAN’T PRETEND A VIBE: A Conversation with Aja Monet of Smoke Signals Studio](https://miamirail.org/performing-arts/you-cant-pretend-a-vibe-a-conversation-with-aja-monet-of-smoke-signals-studio/)
- [VENA CAVA](https://miamirail.org/spring-2017/vena-cava/) - You might think my whole life was once 12th Avenue in Hialeah, and at one time, you'd have been right. Hialeah numbers its streets according to its own system, reduced to East and West, bisected by Palm Avenue.
- [BATIDOS DE MANGO](https://miamirail.org/spring-2017/batidos-de-mango/)
- [Two Poems by Alisha Yi](https://miamirail.org/spring-2017/two-poems-by-alisha-yi/) - Alisha Yi is a poet of promise and of promise fulfilled. Her poems exhibit not only great emotional depth but also show us a fine technician at work.
- [THE DAWN OF A NEW KHALED](https://miamirail.org/local/the-dawn-of-a-new-khaled/) - Consider the holy trinity: Pitbull, Rick Ross, and DJ Khaled. Always moving, promoting, shouting, hammering home a manufactured catch phrase until you snap out of a deep trance one night at four in the morning to discover that for the last 12 hours you’ve been muttering Anotha One, Anotha One in between sips of Luc Belaire Rosé.
- [A JAMBOREE OF HOODLUMS: Wallace Stevens on Miami](https://miamirail.org/local/a-jamboree-of-hoodlums-wallace-stevens-on-miami/) - Through his letters, we can track Stevens’ relationship with the city at a formative time in its pioneering periods. When he arrives in April of 1916, he puts his feelings on paper in the first lines of a letter to his wife, “This is a jolly place—joli. It is alive. It is beautiful too.” He goes on for two pages to describe his clearly bustling feelings for the city.
- [Culture as Weapon: The Art of Influence in Everyday Life by Nato Thompson](https://miamirail.org/spring-2017/culture-as-weapon-the-art-of-influence-in-everyday-life-by-nato-thompson/)
- [Leyla Cárdenas: Vice Versa](https://miamirail.org/reviews/leyla-cardenas-vice-versa/) - The solo exhibition Vice Versa: Leyla Cárdenas inaugurates the new Dimensions Variable gallery space, located in Building 1 of Miami Dade College’s Wolfson Campus on the site of the former Centre Gallery. Cárdenas is an inspired choice to be the first to activate this historically influential space, as the exhibition leads visitors through its very walls and into a recent past subsisting just beneath the surface.
- [WHEN I GROW UP](https://miamirail.org/spring-2017/when-i-grow-up/) - BUREAU SPECTACULAR is an operation of architectural affairs founded and led by Jimenez Lai since 2008. It is located in Los Angeles.
- [New Ideas for the Administration](https://miamirail.org/local/new-ideas-for-the-administration/) - The Miami Center for Architecture and Design recently hosted a panel discussion devoted to urban development issues facing Miami Dade and its residents. The panel consisted of instrumental figures respected in their fields who came to offer practical, achievable advice for newly elected officials and incumbents from the cities and county of Miami-Dade.
- [INTERVIEW with PATRICIA SMITH](https://miamirail.org/o-miami/interview-with-patricia-smith/)
- [Template for an Exhibition Experience](https://miamirail.org/spring-2017/template-for-an-exhibition-experience/) - There are big “P” politics. There are little “p” politics. There is propaganda and education. There is the catharsis of suddenly understanding how a thing was made.
- [MIRROR STAGES: Brookhart Jonquil in Conversation](https://miamirail.org/performing-arts/mirror-stages-brookhart-jonquil-in-conversation/)
- [EXISTENTIALISM, TRANSCENDENCE, AND OBLIVION AT BORSCHT DIEZ: Three Short Film Reviews](https://miamirail.org/performing-arts/existentialism-transcendence-and-oblivion-at-borscht-diez-three-short-film-reviews/)
- [INDIGENOUS MEDIA IN LATIN AMERICA](https://miamirail.org/performing-arts/indigenous-media-in-latin-america/)
- [THE DARK BEHIND THE SUN: Sarah Gerard’s Sunshine State](https://miamirail.org/spring-2017/the-dark-behind-the-sun-sarah-gerards-sunshine-state/)
- [Resurrection Man by Nick Makoha](https://miamirail.org/spring-2017/resurrection-man-by-nick-makoha/)
- [Difficult Women by Roxane Gay](https://miamirail.org/spring-2017/difficult-women-by-roxane-gay/)
- [Spring 2017](https://miamirail.org/issue/spring-2017/)
- [The Dakota Access Pipeline](https://miamirail.org/winter-2016/the-dakota-access-pipeline/)
- [WERKEN: THE MAPUCHE MESSENGER Interview with Bernardo Oyarzún](https://miamirail.org/winter-2016/werken-the-mapuche-messenger-interview-with-bernardo-oyarzun/)
- [ABOUT PLACE: An Interview with Postcommodity](https://miamirail.org/winter-2016/about-place-an-interview-with-postcommodity/)
- [NOTES ON ART, COLONIALISM, and SHEETS OF PAPER](https://miamirail.org/winter-2016/notes-on-art-colonialism-and-sheets-of-paper/)
- [Interview with HOUSTON CYPRESS](https://miamirail.org/winter-2016/interview-with-houston-cypress/)
- [MĂIASTRA: A HISTORY OF ROMANIAN SCULPTURE IN TWENTY-FOUR PARTS Part IX: Charybdis](https://miamirail.org/spring-2017/măiastra-a-history-of-romanian-sculpture-in-twenty-four-parts-part-ix-charybdis/)
- [Thomas Bayrle: One Day on Success Street](https://miamirail.org/spring-2017/thomas-bayrle-one-day-on-success-street/) - The Institute of Contemporary Art's temporary home has created an opportunity for artists to engage with its striking atrium, which is buttressed with a three-dimensional grid of posts and beams, and extends through the height of the building. Given Thomas Bayrle’s career-spanning interest in structural systems, the site is a gift.
- [Material Catch and Celebrating Opposites](https://miamirail.org/reviews/material-catch-and-celebrating-opposites/) - Dominique Labauvie, who lives in Tampa via Strasbourg, makes sculptural works of forged steel that are welded together to form marks in space. In some cases, patina is applied to their surfaces. Although these works are sculptural, they are equally, if not entirely, informed by drawing and line.
- [Héctor Zamora: Memorándum](https://miamirail.org/reviews/hector-zamora-memorandum/) - It is the weekend of Zona Maco in Mexico City, and here in the grand salon of Museo Universitario del Chopo, a vast post-minimal basilica, Mexican artist Héctor Zamora has installed a towering multi-level workspace for typists.
- [Modern Dutch Design:  A Collector’s Perspective](https://miamirail.org/reviews/modern-dutch-design-a-collectors-perspective/) - I recently visited the Modern Dutch Design exhibition at the Wolfsonian–Florida International University in Miami Beach. I was pleased that Silvia Barisione, the exhibition curator, offered to escort me through the educational exhibit. Although I have been collecting design for more than thirty years, I still made many new discoveries walking through the different rooms filled with furniture, lighting, glass, ceramics, books, and an overwhelming collection of posters and graphics.
- [Transplants](https://miamirail.org/reviews/transplants/) - Moving through grass, trees, and tropical flora, choreographer Ana Mendez’s Transplants is a creepy-cool meditation on the nature of belonging. Her performers are human, yet the characters they portray operate on an alternate frequency. Transplants was conceived as a story about the lives of plants.
- [De-Colonization](https://miamirail.org/winter-2016/de-colonization/)
- [Carlos Motta: Histories for the Future](https://miamirail.org/reviews/carlos-motta-histories-for-the-future/)
- [SAVED YOU A SPOT: Queer Performance and Inclusivity in Miami](https://miamirail.org/performing-arts/saved-you-a-spot-queer-performance-and-inclusivity-in-miami/) - Though more traditional drag has remained somewhat stuck in the honoring, rehashing, and impersonating of the stereotyped female form, performers in the queer Miami performance scene can’t even.
- [Winter 2016](https://miamirail.org/issue/winter-2016/)
- [Lou Bega’s LESSER MAMBOS](https://miamirail.org/local/lou-begas-lesser-mambos/) - If you listen hard enough to Lou Bega’s voice at its most rabidly sexual and lascivious, you can only come to one concrete conclusion: Lou Bega’s oeuvre sounds like what you would expect music to sound like if it were produced by space aliens who visited Miami for a weekend then produced records.
- [EPICS UNFOLDING IN OUR BLOOD: Third Horizon Caribbean Film Festival](https://miamirail.org/performing-arts/epics-unfolding-in-our-blood-third-horizon-caribbean-film-festival/) - Third Horizon felt necessary, both as a means to uphold the Caribbean’s creative power and to challenge fetishized, patronizing ideas about the so-called third world.
- [Feeling Red and Blue](https://miamirail.org/visual-arts/feeling-red-and-blue/)
- [WE ARE A SHIP OF FOOLS: Magickal, Experimental, and Ridiculous Ideas to Save Miami from Sea Level Rise](https://miamirail.org/local/we-are-a-ship-of-fools-magickal-experimental-and-ridiculous-ideas-to-save-miami-from-sea-level-rise/) - But this is only preparation for the deluge. Calm before the storm. It’s like hurricane shutters; when you open up, there’s always the worry of a massive sub-tropical toad jumping on your face.
- [Under the water was sand, then rocks, miles of rocks, then fire](https://miamirail.org/reviews/under-the-water-was-sand-then-rocks-miles-of-rocks-then-fire/)
- [Aquafair](https://miamirail.org/local/aquafair-4/) - Aquafair by Drew Lerman
- [Marissa Alma Nick’s Mira el Mar](https://miamirail.org/performing-arts/marissa-alma-nicks-mira-el-mar/) - In its minimalism, Nick’s choreography left one wondering when the show was really going to begin—and then it was over. It was like an encounter with an object or an idea.
- [ANOTHER WAY TO UNDERSTAND OUR FATHERS](https://miamirail.org/literature/another-way-to-understand-our-fathers/)
- [MĂIASTRA: A History of Romanian Sculpture in Twenty-Four Parts](https://miamirail.org/architecture/maiastra-a-history-of-romanian-sculpture-in-twenty-four-parts-7/)
- [The Pursuit of Abstraction](https://miamirail.org/reviews/the-pursuit-of-abstraction/)
- [Pepe Mar: Excess of Sleep Produces Monsters](https://miamirail.org/reviews/pepe-mar-excess-of-sleep-produces-monsters/)
- [What is an Art Basel: Criticality and Criticism in Miami All Year Round](https://miamirail.org/web-exclusives/what-is-an-art-basel-criticality-and-criticism-in-miami-all-year-round/)
- [THE SITWELLS ORGANIZE A ROYAL POETRY BENEFIT FOR THE FREE FRENCH WITH: EDMUND BLUNDEN, GORDON BOTTOMLEY, H.D., WALTER DE LA MARE, T.S. ELIOT, JOHN MASEFIELD, EDITH AND OSBERT SITWELL, WALTER TURNER, ARTHUR WALEY, LADY WELLESLEY, AND VITA SACK-VILLE WEST (Aeolian Hall, April 14, 1943)](https://miamirail.org/literature/the-sitwells-organize-a-royal-poetry-benefit-for-the-free-french-with-edmund-blunden-gordon-bottomley-h-d-walter-de-la-mare-t-s-eliot-john-masefield-edith-and-osbert-sitwell-walter-turner-a/) - Six minutes was the limit they agreed to, but Walter Turner just went on and on.
- [To Make a Public: Artists’ Publications as Partisan Positions](https://miamirail.org/web-exclusives/to-make-a-public-artists-publications-as-partisan-positions/)
- [publicdisplay.pro](https://miamirail.org/web-exclusives/publicdisplay-pro/)
- [The Dual Power of Arts Organizations](https://miamirail.org/web-exclusives/the-dual-power-of-arts-organizations/)
- [The Spaces of Gentrification](https://miamirail.org/web-exclusives/the-spaces-of-gentrification/)
- [Let It Decay: Cultural Precarity in the Anthropocene](https://miamirail.org/web-exclusives/let-it-decay-cultural-precarity-in-the-anthropocene/)
- [How many sides are there? A Meditation on The Many Headed Janus of Gentrification](https://miamirail.org/web-exclusives/how-many-sides-are-there-a-meditation-on-the-many-headed-janus-of-gentrification/)
- [To dale! or calmate…](https://miamirail.org/web-exclusives/to-dale-or-calmate/) - “…To empty the streets; it’s enough to promise everyone the highway.” Paul Virilio
- [Robert Winthrop Chanler: Discovering the Fantastic](https://miamirail.org/reviews/robert-winthrop-chanler-discovering-the-fantastic/) - As this collection set out to prove, Chanler influenced modernism with his fluidity between high and low, representation and imagination,and screens and sculptures. Robert Winthrop Chanler: Discovering the Fantastic is a welcome contribution to conversations we have about making art today—and what it means to call yourself avant-garde in 2016 given the modernism that came before us.
- [Block by Block w/ Nathaniel Sandler](https://miamirail.org/events/block-by-block-w-nathaniel-sandler/)
- [The Greeting Kiss: Biography of A Miami Gesture](https://miamirail.org/local/the-greeting-kiss-biography-of-a-miami-gesture/) - With the greeting kiss today, placed on the cheek or sent in the air, the hierarchy is a bit more horizontal than in feudal times. In the United States, it means to say, We are of very close ilk, or, I’m from Miami.
- [Chase Joynt](https://miamirail.org/literature/chase-joynt/) - Multidisciplinary artist Chase Joynt’s stunning genre-blending book, You Only Live Twice, was released in May by Coach House Books.
- [Jeanguy Saintus: Contretemps](https://miamirail.org/performing-arts/jeanguy-saintus-contretemps/) - While speaking to Haitian choreographer Jeanguy Saintus about his work, one senses that he spends a lot of time fending off other people’s attempts to categorize and reshape him. As an artist based primarily in Haiti, his devotion to dance is often beset by financial and practical struggles.
- [Ghost in the Sprawl](https://miamirail.org/performing-arts/ghost-in-the-sprawl/) - Hidden somewhere in all that sprawl is the home of Goin’ Ghost, a new indie music label created by musicians Jason Mavila, Ian Mercel, and Juan Ledesma, and visual artist Krista Merrell. The label is currently producing Milewski’s forthcoming album, “Quarry,” and Dan was going up to Miramar to lay down some new tracks in their recording studio.
- [Miami’s Silent Film Industry, 1910-1926](https://miamirail.org/performing-arts/miamis-silent-film-industry-1910-1926/) - Any place that retains traces of a forgotten history has a preternatural creepiness, inklings of ghosts and lost narratives. How appropriate that in Hobe Sound it becomes clear that the form of Florida’s silent film industry matches its content: ephemeral, quick to burn, all but disappeared.
- [John](https://miamirail.org/reviews/john/) - Baker’s latest play, John, is at once her subtlest and strangest, her most mysterious and most masterful, her riskiest and most self-assured—and I haven’t even gotten to see it. It ran for just six weeks last summer at the Signature Theatre in New York, but it’s out now in a handsome trade paperback from TCG, and the work easily justifies its new incarnation in book form.
- [Dancing in the Baron's Shadow](https://miamirail.org/reviews/dancing-in-the-barons-shadow/) - ]The thrilling and nuanced opening of Dancing in the Baron's Shadow, Fabienne Josaphat's debut novel, introduces us to Raymond L'Eveillé, a cabbie in 1965 Port-au-Prince. He is parked outside a brothel, Chez Madame Fils, waiting for his fare, a john, to finish up.
- [Havana, Ruined?](https://miamirail.org/visual-arts/havana-ruined/)
- [Aquafair](https://miamirail.org/local/aquafair-3/) - In the cutthroat world of Cold War-era Miami amusement parks, Aquafair reigned supreme, run by the wily Mr. Rooks and his protégé Lafe.
- [MĂIASTRA: A History of Romanian Sculpture in Twenty-Four Parts](https://miamirail.org/express/maiastra-a-history-of-romanian-sculpture-in-twenty-four-parts-6/)
- [No Return Ticket: Daniel Buren in Miami](https://miamirail.org/visual-arts/no-return-ticket-daniel-buren-in-miami/)
- [Intersectionality](https://miamirail.org/reviews/intersectionality/) - Intersectionality—a theory of discrimination—takes into account life as it’ s lived, a complex overlapping of multiple social identities. While identity politics of the ‘ 80s and ‘ 90s demarcated along strict lines—say, by gender, class, race, or ability—intersectionality, championed by legal scholar Kimberlé Williams Crenshaw, layers divisions to account for experiences marginalized by traditional discourses of oppression.
- [Magdalena Suarez Frimkess and Ben Russell](https://miamirail.org/reviews/magdalena-suarez-frimkess-and-ben-russell/) - Both artists’ works approach similar subject matter: the consumption of Western culture by non-Western countries and those cultures’ subsequent loss––or compromise––of identity.
- [Jamilah Sabur: <em>My Queen before you go tell my horse</em>](https://miamirail.org/reviews/jamilah-sabur-my-queen-before-you-go-tell-my-horse/) - Sabur’s My Queen before you go tell my horse, an installment of a larger series, responds to the dysfunctional global mechanisms that helped create the noxious breeding ground for Jamaica’s looming economic and environmental crises.
- [<em>Resonance/Dissonance</em>](https://miamirail.org/reviews/resonancedissonance/) - Resonance/Dissonance, an installation at the Patricia & Phillip Frost Art Museum FIU, showcases the work of six distinctive, leading female artists who create provocative video art approaching such diverse themes as the body, gender, sexuality, violence, and popular culture.
- [<em>Giverny: Journal of an Unseen Garden</em>](https://miamirail.org/reviews/giverny-journal-of-an-unseen-garden/) - The ponds of Claude Monet’s Nymphéas, studies of the Giverny gardens in the Normandy region of France, are unmistakable. As the paintings number around 250, the series may be the most thorough study of any resting waters. During a residency at Giverny, the artist Mark Fox filmed beneath the surface of the ponds, a sort of fish-eyeview of the famous landscape. What he produced changes up common perceptions of Monet’s iconic subject.
- [Fall 2016](https://miamirail.org/issue/fall-2016/)
- [Summer 2016](https://miamirail.org/uncategorized/summer-2016/)
- [Aquafair](https://miamirail.org/summer-2016/aquafair-2/) - Tourist season has arrived in South Florida, but Lafe and Mr. Rooks just can’t seem to get rid of their new competitor across the street.
- [Visiting Writer Laura McLean-Ferris](https://miamirail.org/events/visiting-writer-laura-mclean-ferris/) - Please join us for our 18th Visiting Writer lecture with Laura McLean-Ferris of the Swiss Institute at ArtCenter/South Florida's Downtown Location.
- [Block by Block with Franky Cruz](https://miamirail.org/events/block-by-block-with-franky-cruz/) - Join artist and writer Franky Cruz as he guides us on a tour of the Miami Circle and the cradle of Miami civilization.
- [Block by Block with Fringe Projects](https://miamirail.org/events/block-by-block-with-fringe-projects/)
- [Block by Block Writer Jason Fitzroy Jeffers](https://miamirail.org/events/block-by-block-writer-jason-fitzroy-jeffers/)
- [Is Miami the Caribbean?](https://miamirail.org/summer-2016/is-miami-the-caribbean/) - The Caribbean takes its name from the Caribs, indigenous people who lived in the Lesser Antilles. While Florida was only under British rule for twenty years, all these lands were tainted by the history of slavery. Most of the islands only grasped for their inde-pendence in the last sixty years, plunging deep into the murk of post colonialism confronting issues of identity and nationhood. For all these reasons, Miami is not the Caribbean. Yet Miami feels like the Caribbean.
- [AARON THIER with Andrew Donovan](https://miamirail.org/literature/aaron-thier-with-andrew-donovan/)
- [And Justice for All](https://miamirail.org/literature/and-justice-for-all/)
- [Matt Olson with Alexandra  Cunningham Cameron](https://miamirail.org/visual-arts/matt-olson-with-alexandra-cunningham-cameron/)
- [BEATRIZ SANTIAGO  MUÑOZ  with Rin Johnson](https://miamirail.org/visual-arts/beatriz-santiago-munoz-with-rin-johnson/)
- [Three Paintings: Held, Titian, Turner](https://miamirail.org/visual-arts/three-paintings-held-titian-turner/)
- [Àsdís Sif Gunnarsdottir: Object Perception](https://miamirail.org/reviews/asdis-sif-gunnarsdottir-object-perception/)
- [Susan Lee-Chun: It’s a pleasure (not) to meet you & Jillian Mayer: Day Off](https://miamirail.org/reviews/susan-lee-chun-its-a-pleasure-not-to-meet-you-jillian-mayer-day-off/)
- [Ceci n’est pas une peinture (This is not a painting)](https://miamirail.org/reviews/ceci-nest-pas-une-peinture-this-is-not-a-painting/)
- [A Midsummer Night's Dream](https://miamirail.org/reviews/a-midsummer-nights-dream/)
- [The Art of the Deal](https://miamirail.org/summer-2016/the-art-of-the-deal/) - Four young men and a kid strolled into Victor Pianos and Organs one evening just before closing. They needed a piano delivered to the Deauville Hotel on Miami Beach immediately. The store owner got the piano there on time, as advertised. It would be a waste of his $20,000/month advertising budget if he hadn’t. Especially for the Jackson Five. His store was the only back then. Almost sixty years later, the song is the same.
- [A SPECULATIVE  STORM: Contemporary Art and Real Estate Development](https://miamirail.org/summer-2016/a-speculative-storm-contemporary-art-and-real-estate-development/) - Art has always been a feature of the most lavish residences; patrons begat patrimony wherever they made their beds. Its ability to signify landed, aristocratic power was a chief reason why art became a favorite tool of revolutionary bourgeois propagandists. We haven’t entirely escaped that age—Donald Trump is currently touring his bronze likeness through primary voting states before its installation at his midtown Manhattan tower—but these days, money isn’t so rooted to the soil.
- [A MAGNIFICENT OBSESSION: JONAS MEKAS](https://miamirail.org/performing-arts/a-magnificent-obsession-jonas-mekas/) - Jonas Mekas has long been associated with contemporaries and friends like Stan Brakhage and Kenneth Anger, but at ninety-three years old and prolific as ever—his website is updated daily with videos—he feels peerless and unprecedented, his poems and work becoming increasingly more beautiful over time. Obsolete Media Miami and Ground Control Miami presented a screening of Walden. The screening was planned in conjunction with Let Me Introduce Myself, an exhibition featuring Mekas’s early and recent work.
- [ATHI-PATRA RUGA with Catherine Annie Hollingsworth](https://miamirail.org/performing-arts/athi-patra-ruga-with-catherine-annie-hollingsworth/) - South African artist Athi-Patra Ruga’s work lies somewhere between fashion, street performance, and high art. His signature figures, balloon bodies with legs and high heels, tell an ongoing fictional saga in his series The Future White Women of Azania. Azania is an imaginary utopia not of Ruga’s own invention. It is an idea that links to the history of the South African liberation movement and still farther back in history.
- [Elizabeth Scanlon](https://miamirail.org/literature/elizabeth-scanlon/)
- [Cara Despain: Slow Burn](https://miamirail.org/reviews/cara-despain-slow-burn/)
- [Lina Bo Bardi: Together](https://miamirail.org/reviews/lina-bo-bardi-together/)
- [MĂIASTRA: A History of Romanian Sculpture in Twenty-Four Parts](https://miamirail.org/summer-2016/maiastra-a-history-of-romanian-sculpture-in-twenty-four-parts-5/)
- [Earth  Science - Sarah Green](https://miamirail.org/reviews/earth-science-sarah-green/)
- [Visiting Writer Rujeko Hockley](https://miamirail.org/events/visiting-writer-rujeko-hockley/) - The Miami Rail is pleased to announce our 19th Visiting Writer Rujeko Hockley. Rujeko Hockley is the Assistant Curator of Contemporary Art at the Brooklyn Museum.
- [Tina Kukielski with Sara Roffino](https://miamirail.org/visual-arts/tina-kukielski-with-sara-roffino/)
- [Steal It Back](https://miamirail.org/reviews/steal-it-back/)
- [My First Bikini](https://miamirail.org/reviews/my-first-bikini/)
- [UNITED STATES ARTISTS:](https://miamirail.org/visual-arts/united-states-artists/)
- [The Nature of Desire: Dash Snow at the Brant Foundation](https://miamirail.org/spring-2016/the-nature-of-desire-dash-snow-at-the-brant-foundation/)
- [Sylvie Fleury, Eternity Now](https://miamirail.org/spring-2016/sylvie-fleury-eternity-now/)
- [Spring 2016](https://miamirail.org/issue/spring-2016/)
- [Some Irreverent and True Early Conceptions of Florida As Under-explained Reasons For Why This Part of the World is Consistently and Continually Absurd](https://miamirail.org/spring-2016/some-irreverant-and-true-early-conceptions-of-florida-as-under-explained-reasons-for-why-this-part-of-the-world-is-consistently-and-continually-absurd/)
- [Amelia Earhart's Hialeah Layover](https://miamirail.org/spring-2016/amelia-earharts-hialeah-layover/)
- [NEW  BUSINESS: Art in Search of Alternative Economic Systems](https://miamirail.org/visual-arts/new-business-art-in-search-of-alternative-economic-systems-2/)
- [MATTHEW RONAY: When Two Are In One](https://miamirail.org/visual-arts/matthew-ronay-when-two-are-in-one/)
- [JOHN MILLER](https://miamirail.org/visual-arts/john-miller/)
- [A Brief History of  ARTISTS TEACHING IN MUSEUMS](https://miamirail.org/visual-arts/a-brief-history-of-artists-teaching-in-museums/)
- [HIGH ART and the HIGH RISE](https://miamirail.org/spring-2016/high-art-and-the-high-rise/)
- [On Capsizing A Canoe In Biscayne Bay](https://miamirail.org/spring-2016/on-capsizing-a-canoe-in-biscayne-bay/)
- [Aquafair](https://miamirail.org/spring-2016/aquafair/)
- [Trans América](https://miamirail.org/spring-2016/trans-america/)
- [Măiastra: A History of Romanian Sculpture in Twenty-Four Parts](https://miamirail.org/spring-2016/maiastra-a-history-of-romanian-sculpture-in-twenty-four-parts-4/)
- [Rio Cortez](https://miamirail.org/spring-2016/rio-cortez/)
- [A Love Song to Tender Fruition and Decay: Hearts of Palm](https://miamirail.org/performing-arts/a-love-song-to-tender-fruition-and-decay-hearts-of-palm/)
- [The Indestructible Lee Miller](https://miamirail.org/reviews/the-indestructible-lee-miller/)
- [Marta Chilindron: Temporal Systems](https://miamirail.org/reviews/marta-chilindron-temporal-systems/)
- [Martha Friedman: Pore](https://miamirail.org/reviews/martha-friedman-pore/)
- [Ezra Johnson: Cut Rate Paradise & Project Space:  Bruce Kates: Mumbo Jumbo](https://miamirail.org/reviews/ezra-johnson-cut-rate-paradise-project-space-bruce-kates-mumbo-jumbo/)
- [Gustavo Pérez Monzón: Tramas](https://miamirail.org/reviews/gustavo-perez-monzon-tramas/)
- [National YoungArts Foundation: 1981–2016](https://miamirail.org/performing-arts/national-youngarts-foundation-1981-2016/)
- [Visiting Writer Evan Moffitt at ICA - Miami](https://miamirail.org/events/visiting-writer-evan-moffitt-at-ica-miami/)
- [Visiting Writer Justine Ludwig at Locust Projects](https://miamirail.org/events/visiting-writer-justine-ludwig-at-locust-projects/) - The Miami Rail is pleased to present Justine Ludwig, our 17th Visiting Writer. Ludwig is the Director of Exhibitions/Senior Curator at Dallas Contemporary.
- [Poems](https://miamirail.org/winter-2015/poems-4/)
- [Visiting Writer: Mark Tribe](https://miamirail.org/visual-arts/visiting-writer-mark-tribe/)
- [Luis Romero: Borderline](https://miamirail.org/winter-2015/luis-romero-borderline/) - Luis Romero’s use of unassuming arrangements of materials and mediums across a varied body of works brings the viewer into a multifaceted dialogue.
- [Dinner](https://miamirail.org/reviews/dinner/) - Dinner is the most recent of César Aira’s strange little novels to appear in English (translated—gorgeously—by Katherine Silver). At its center is a zombie story, but one unlike any other I have ever encountered. The book’s narrator is an unnamed sixty-something bachelor living in Coronel Pringles, a small town (Aira’s hometown) in the vast flatness of the Pampas. This bachelor is, by his own account, a failure.
- [Obsolete Media Miami](https://miamirail.org/winter-2015/obsolete-media-miami/)
- [Intersections (after Lautréamont)](https://miamirail.org/52-reviews/intersections-after-lautreamont/)
- [Second Nature](https://miamirail.org/52-reviews/second-nature/)
- [Philodendron: From Pan-Latin Exotic to American Modern](https://miamirail.org/52-reviews/philodendron-from-pan-latin-exotic-to-american-modern/)
- [A JOURNEY BETWEEN THE BOSPHORUS AND THE SEA OF MARMARA:  Impressions from the Istanbul Biennial](https://miamirail.org/winter-2015/a-journey-between-the-bosphorus-and-the-sea-of-marmara-impressions-from-the-istanbul-biennial/)
- [FROM POTTERY TO POPULATION DATA: The Diverse Influences of Adriana Varejão](https://miamirail.org/winter-2015/from-pottery-to-population-data-the-diverse-influences-of-adriana-varejao/)
- [MĂIASTRA: A History of Romanian Sculpture in Twenty-Four Parts](https://miamirail.org/winter-2015/maiastra-a-history-of-romanian-sculpture-in-twenty-four-parts-2/)
- [Martine Syms with Christy Gast](https://miamirail.org/visual-arts/martine-syms-with-christy-gast/) - In advance of Martine Syms’s public project Nite Life, which will appear on buses throughout Miami this winter as part of Locust Projects’ Art on the Move program, Christy Gast met with her in her Los Angeles studio to discuss her research and creative practice.
- [Franklin Sirmans with Hunter Braithwaite](https://miamirail.org/visual-arts/franklin-sirmans-with-hunter-braithwaite/)
- [Cobra: Bonnie Clearwater and Alison M. Gingeras](https://miamirail.org/visual-arts/cobra-bonnie-clearwater-and-alison-m-gingeras/)
- [“I’M HARRY SMITH AND I HATE YOU!"](https://miamirail.org/visual-arts/im-harry-smith-and-i-hate-you/) - Stories surrounding Harry Smith (1923–1991) are the stuff of legend. He was a painter, filmmaker, anthropologist, ethnomu-sicologist, archivist, and alchemist ordained in the Ordo Templi Orientis founded by occult “magus” Aleister Crowley. He was also a slight, disheveled, cantankerous genius with poor eyesight and a lifelong relationship with alcohol, marijuana, speed, esoteric books, and filmmaking.
- [MOVING IMAGE: Screendance in Miami](https://miamirail.org/performing-arts/moving-image-screendance-in-miami/) - Contemporary dance, like all creative disciplines, is continually subjected to forces of disintegration and hybridization. But next to other art forms, dance tends to be more conservative in its evolutions. Languages of dance are built up in slow developments over years, decades, sometimes even centuries, and passed directly from teacher to student. For any one individual performer or choreographer, it can take years to develop a level of mastery in any one style or conceptual framework.
- [A LIST OF TRASH from Legion Picnic Island (and Surrounding) in Biscayne Bay](https://miamirail.org/winter-2015/a-list-of-trash-from-legion-picnic-island-and-surrounding-in-biscayne-bay/)
- [ARCHITECTURE, CHICAGO-BORN](https://miamirail.org/reviews/architecture-chicago-born/)
- [HEATHER DAVIS with Brittni Winkler and Danielle Damas](https://miamirail.org/visual-arts/heather-davis-with-brittni-winkler-and-danielle-damas/)
- [Residential Properties](https://miamirail.org/52-reviews/residential-properties/) - Deep in the gated glens of Morningside, Felice Grodin built a temporary outpost of installations, conversations, and interactions.
- [Nari Ward with Nicole Smythe-Johnson](https://miamirail.org/winter-2015/nari-ward-with-nicole-smythe-johnson/) - This winter, Pérez Art Museum Miami presents Nari Ward: Sun-Splashed, the largest exhibition of the artist’s work to date. The mid-career survey includes a selection of two decades of diverse works from the Jamaican-born, Harlem-based artist.
- [Robert Huff: 47 Years](https://miamirail.org/52-reviews/robert-huff-47-years/)
- [Visiting Writer Mark Tribe at Locust Projects](https://miamirail.org/events/visiting-writer-mark-tribe-at-locust-projects/)
- [DCG Summer Show](https://miamirail.org/visual-arts/dcg-summer-show/) - Is a group show a matter of taste? Just as one would in a home, the work in the annual DCG summer group show betrays the trace of the curator’s intrigue. There is a pleasingly consistent color palette among the works—aqua, black and white, neutral, and tropical pops of color.
- [The Summer of ’68: Photographing the Black Panthers](https://miamirail.org/visual-arts/the-summer-of-68-photographing-the-black-panthers/) - More than forty-five years ago, husband-and-wife art photographers Ruth-Marion Baruch and Pirkle Jones resisted similar demonizations of black protest.
- [Shannon Ebner's Material Lexicon](https://miamirail.org/visual-arts/shannon-ebners-material-lexicon/)
- [Giant-Size Man-Thing](https://miamirail.org/fall-2015/giant-size-man-thing/) - Plato found it in the shadowy confines of a cave—Descartes, in a syllogism . . . Cogito ergo sum . . . “I think, therefore I am.” They blew it—both of them.
- [Florida Prize in Contemporary Art Exhibition](https://miamirail.org/visual-arts/florida-prize-in-contemporary-art-exhibition/) - What’s most evident in the selection of Florida artists on view in the Florida Prize in Contemporary Art Exhibition at the Orlando Museum of Art is that each is simultaneously aware of his or her place within an art historical framework and that, culturally, we are squarely in the post-historical age of eternal appropriation, recombination, and mash-up.
- [Thomas Lawson with Hunter Braithwaite](https://miamirail.org/visual-arts/thomas-lawson-with-hunter-braithwaite/)
- [On Cops](https://miamirail.org/fall-2015/on-cops/)
- [Uncovering Unique Histories: Miami’s Corner of Contemporary Art](https://miamirail.org/fall-2015/uncovering-unique-histories-miamis-corner-of-contemporary-art/) - Courtney Malick is the Miami Rail’s Fall 2015 Visiting Writer. The program is generously supported by the John S and the James L Knight Foundation.
- [The Givenness of Things: Essays](https://miamirail.org/essays/the-givenness-of-things-essays/) - Where she stands is never a question. Even the title of Marilynne Robinson’s new essay collection, The Givenness of Things, stakes out teleological ground. John Calvin, John Wycliffe, Jonathan Edwards (the preacher, not the other one), William Shakespeare: good. Neuroscientists, faddism, fear, the Earl of Oxford (Edward de Vere, the 17th-nineteen more go unremarked upon): bad. Imagine as substitutes for the colons in these last sentences an array of digressions, confessions, and meditations.
- [Sketches from the Garage Museum of Contemporary Art](https://miamirail.org/visual-arts/sketches-from-the-garage-museum-of-contemporary-art/)
- [The Obama Paintings: Rob Pruitt](https://miamirail.org/web-exclusives/the-obama-paintings-rob-pruitt/)
- [New Work: Mauricio Gonzalez](https://miamirail.org/fall-2015/new-work-mauricio-gonzalez/)
- [Jedediah Caesar with Diana Nawi](https://miamirail.org/visual-arts/jedediah-caesar-with-diana-nawi/) - For me, sculpture can be about language without becoming illustrative. I'm especially interested in the way languages fail and mislead.
- [Tara McDowell](https://miamirail.org/fall-2015/tara-mcdowell/)
- [Andy Sweet: New Year’s Eve Parties on the Old South Beach](https://miamirail.org/fall-2015/andy-sweet-new-years-eve-parties-on-the-old-south-beach/)
- [Poems](https://miamirail.org/fall-2015/poems-3/)
- [PIONEER WINTER: IN PROCESS](https://miamirail.org/performing-arts/pioneer-winter-in-process/) - As of this writing, Miami choreographer Pioneer Winter is in the generation phase of a new dance work for his MFA thesis at Jacksonville University. The project will premiere in two parts, with Part I showing in October 2015 and Part II coming later, in spring 2016.
- [T. WHEELER CASTILLO AND EMILE MILGRIM with Monica Uszerowicz](https://miamirail.org/visual-arts/t-wheeler-castillo-and-emile-milgrim-with-monica-uszerowicz/) - Those who’ve been fortunate enough to witness a sunset in Miami are privy to what feels like a slowly darkening and expanding rainbow, a gradient of colors effortlessly stretched, like a blanket, across a mostly flat landscape. It’s a vision that cannot be conveyed properly (not really) without bearing witness.
- [Ernesto Neto and the Huni Kuin Aru Kuxipa: Sacred Secret](https://miamirail.org/visual-arts/ernesto-neto-and-the-huni-kuin-aru-kuxipa-sacred-secret/) - As dusk descended on a cool summer night in Vienna’s baroque Augarten park, an extraordinary seminar commenced on the lawn adjacent to Thyssen-Bornemisza Art Contemporary. The gallery was exhibiting work from a three-location retrospective of Ernesto Neto, the Brazilian artist known for weblike installations of stretched nylon filled with saffron, seeds, and other fragrant matter.
- [Cristina Lei Rodriguez: Agency](https://miamirail.org/visual-arts/cristina-lei-rodriguez-agency/)
- [The Art of Being Green](https://miamirail.org/52-reviews/the-art-of-being-green/)
- [A History of Human Flight in 58 Bullets](https://miamirail.org/essays/a-history-of-human-flight-in-58-bullets/)
- [Christina Mesiti: <em>Port</em>](https://miamirail.org/52-reviews/christina-mesiti-port/)
- [Curious Vault Collaborations 002](https://miamirail.org/52-reviews/curious-vault-collaborations-002/)
- [Charles Hollis Jones](https://miamirail.org/52-reviews/charles-hollis-jones/)
- [ART AND THE ECOLOGICAL](https://miamirail.org/summer-2015/art-and-the-ecological/)
- [Courtney Malick at the ICA](https://miamirail.org/events/courtney-malick-at-the-ica/)
- [Framing a Wall: Math Bass and Lauren Davis Fisher](https://miamirail.org/performing-arts/framing-a-wall-math-bass-and-lauren-davis-fisher/)
- [Sense and Nonsensibility: What Miami Teaches, from the Outside Looking in](https://miamirail.org/summer-2015/sense-and-nonsensibility-what-miami-teaches-from-the-outside-looking-in/)
- [Aramis Gutierrez: Order of Sorcery](https://miamirail.org/reviews/aramis-gutierrez-order-of-sorcery/)
- [MĂIASTRA: A History of Romanian Sculpture in Twenty-Four Parts](https://miamirail.org/essays/maiastra-a-history-of-romanian-sculpture-in-twenty-four-parts/)
- [Poems](https://miamirail.org/summer-2015/poems-2/)
- [CITY OF PROGRESS](https://miamirail.org/performing-arts/city-of-progress/)
- ["Excuse Me, Where's Coconut Grove?" Inside Miami's Little Bahamas](https://miamirail.org/summer-2015/excuse-me-wheres-coconut-grove-inside-miamis-little-bahamas/)
- [One Hundred Years of Weirditude: On the Streets and in the Archives](https://miamirail.org/summer-2015/one-hundred-years-of-weirditude-on-the-streets-and-in-the-archives/)
- [Carol Munder's Broken Fingers](https://miamirail.org/visual-arts/carol-munders-broken-fingers/)
- [JACOLBY SATTERWHITE](https://miamirail.org/visual-arts/jacolby-satterwhite/)
- [America is Hard to See](https://miamirail.org/reviews/america-is-hard-to-see/)
- [K-HOLE](https://miamirail.org/summer-2015/k-hole/)
- [Ryan Sullivan](https://miamirail.org/reviews/ryan-sullivan/)
- [Leyden Rodriguez-Casanova: Intimate Material Systems](https://miamirail.org/reviews/leyden-rodriguez-casanova-intimate-material-systems/)
- [Iman Issa: Heritage Studies](https://miamirail.org/reviews/iman-issa-heritage-studies/)
- [The Complete Audubon: The Birds of America](https://miamirail.org/reviews/the-complete-audubon-the-birds-of-america/)
- [The Argonauts](https://miamirail.org/reviews/the-argonauts/)
- [The Animated Reader](https://miamirail.org/reviews/the-animated-reader/)
- [New Work: Jesse Moretti](https://miamirail.org/visual-arts/new-work-jesse-moretti/)
- [Evoking the Forms at MOCA North Miami](https://miamirail.org/visual-arts/evoking-the-forms-at-moca-north-miami/)
- [Overhead: Kevin Arrow](https://miamirail.org/52-reviews/overhead-kevin-arrow/)
- [Blood-Drenched Beard: A Novel](https://miamirail.org/reviews/blood-drenched-beard-a-novel/)
- [Tseng Kwong Chi: Performing for the Camera](https://miamirail.org/52-reviews/tseng-kwong-chi-performing-for-the-camera/)
- [Paddy Johnson at YoungArts](https://miamirail.org/events/paddy-johnson-at-youngarts/)
- [Zombie Paintings at MoMA](https://miamirail.org/visual-arts/zombie-paintings-at-moma/)
- [Ben Davis at the de la Cruz Collection](https://miamirail.org/events/ben-davis-at-the-de-la-cruz-collection/)
- [Martine Syms: Nite Life](https://miamirail.org/52-reviews/martine-syms-nite-life/)
- [Riding in Cars with Curators: Justine Ludwig](https://miamirail.org/visual-arts/riding-in-cars-with-curators-justine-ludwig/)
- [Rat Bastard Takes Over The Wolfsonian](https://miamirail.org/52-reviews/rat-bastard-takes-over-the-wolfsonian/)
- [Arrhythmic Suite](https://miamirail.org/52-reviews/arrhythmic-suite/)
- [Cecilia Vicuña with Camila Marambio](https://miamirail.org/visual-arts/cecilia-vicuna-with-camila-marambio/)
- [Sun Breaker](https://miamirail.org/52-reviews/sun-breaker/)
- [Quiet Riot](https://miamirail.org/web-exclusives/quiet-riot/)
- [Purdy Lounge: A Loose History](https://miamirail.org/spring-2015/purdy-lounge-a-loose-history/)
- [No Neutral Spaces: Material Art Fair 2015](https://miamirail.org/visual-arts/no-neutral-spaces-material-art-fair-2015/)
- [Tara Elizabeth Long: Røle Mødel](https://miamirail.org/reviews/tara-elizabeth-long-role-model/)
- [Xu Bing: Writing Between Heaven and Earth](https://miamirail.org/reviews/xu-bing-writing-between-heaven-and-earth/)
- [Deborah Kass, Double Yentl (My Elvis)        Global Positioning Systems](https://miamirail.org/reviews/deborah-kass-double-yentl-my-elvis/)
- [La Voix Humaine](https://miamirail.org/52-reviews/la-voix-humaine/)
- [MĂIASTRA: A History of Romanian Sculpture in Twenty-Four Parts](https://miamirail.org/spring-2015/măiastra-a-history-of-romanian-sculpture-in-twenty-four-parts/)
- [Miami Rides to Sundance on the Pegs of <em>The Strongest Man</em>](https://miamirail.org/performing-arts/miami-rides-to-sundance-on-the-pegs-of-the-strongest-man/)
- [<em>SONGS FEEL LIKE MUSCLE MEMORY</em>, OR, <em>I’M OFF SOCIAL MEDIA, HMU ON YOUTUBE</em>: A Mythography of Domingo Castillo](https://miamirail.org/visual-arts/songs-feel-like-muscle-memory-or-im-off-social-media-hmu-on-youtube-a-mythography-of-domingo-castillo/)
- [A Word for the Year](https://miamirail.org/essays/a-word-for-the-year/)
- [Nick Farhi: Don't Need Roads](https://miamirail.org/reviews/nick-farhi-dont-need-roads/)
- [Rubell Family Collection: Highlights and Artists’ Writings, Volume 1](https://miamirail.org/reviews/rubell-family-collection-highlights-and-artists-writings-volume-1/)
- [Stadium and Museum: Herzog & de Meuron’s Architecture of Participation](https://miamirail.org/spring-2015/stadium-and-museum-herzog-de-meurons-architecture-of-participation/)
- [Miami: A Driving Tour](https://miamirail.org/visual-arts/miami-a-driving-tour/)
- [Leisure Pit / Hyperobjects: Nicolas Lobo and Timothy Morton](https://miamirail.org/visual-arts/leisure-pit-hyperobjects-nicolas-lobo-and-timothy-morton/)
- [When I Want Live, I Want <em>Live</em>](https://miamirail.org/performing-arts/when-i-want-live-i-want-live/)
- [Made in New York](https://miamirail.org/web-exclusives/made-in-new-york/)
- [Laddie John Dill, Cayetano Ferrer, Michael Hunter](https://miamirail.org/visual-arts/laddie-john-dill-cayetano-ferrer-michael-hunter/)
- [The Dazzling World of Ye Hongxing](https://miamirail.org/web-exclusives/the-dazzling-world-of-ye-hongxing/)
- [Mary Reid Kelley with Patrick Kelley, <em>Sadie, the Saddest Sadist</em> and <em>You Make me Iliad</em>](https://miamirail.org/visual-arts/mary-reid-kelley-with-patrick-kelley-sadie-the-saddest-sadist-and-you-make-me-iliad/)
- [Binary // Binario: Ernesto García Sánchez & José Manuel Mesías](https://miamirail.org/web-exclusives/binary-binario-ernesto-garcia-sanchez-jose-manuel-mesias/)
- [Puddle, pothole, portal](https://miamirail.org/winter-2014/puddle-pothole-portal/)
- [Autumn Casey, Agalma](https://miamirail.org/52-reviews/autumn-casey-agalma/)
- [Between Two Tomorrows: The 2014 Montreal Biennale](https://miamirail.org/visual-arts/between-two-tomorrows-the-2014-montreal-biennale/)
- [Thomas Hirschhorn](https://miamirail.org/visual-arts/thomas-hirschhorn/)
- [A Landmark Proposal](https://miamirail.org/essays/a-landmark-proposal/)
- [Poems ](https://miamirail.org/fall-2014/poems/) - A series of poems by Daniel Feinberg
- [Urbes Mutantes: Latin American Photography 1944-2013](https://miamirail.org/reviews/urbes-mutantes-latin-american-photography-1944-2013/) - Heather Diack shines light on the Latin American urban landscape that is captured at the International Center of Photography May 16 - Sept 7, 2014
- [Cara Despain, Cast Set ](https://miamirail.org/visual-arts/cara-despain-cast-set/) - Liz Shannon tells us of the glimmer-y Western world Cara Despain created in her exhibition at Emerson Dorsch.
- [Little Haiti Country Club ](https://miamirail.org/reviews/little-haiti-country-club/) - Cara Despain details what Little Haiti Country Club means to its founders and the bourgeoning area.
- [Walkin’ in the Sand with Beach Day](https://miamirail.org/reviews/walkin-in-the-sand-with-beach-day/)
- [Toward South Florida Aesthetics: An Oral History of GUCCIVUITTON](https://miamirail.org/visual-arts/toward-south-florida-aesthetics-an-oral-history-of-guccivuitton/)
- [Miami As Idiom](https://miamirail.org/visual-arts/miami-as-idiom/)
- [Leo Gabin’s Florida](https://miamirail.org/reviews/leo-gabins-florida/)
- [My Journey With Aeroflot: Adventures in the Estonian Contemporary Art World](https://miamirail.org/visual-arts/my-journey-with-aeroflot-adventures-in-the-estonian-contemporary-art-world/)
- [Berlin Biennale 8](https://miamirail.org/visual-arts/berlin-biennale-8/)
- [Yann Gerstberger, SURFBOARD](https://miamirail.org/visual-arts/yann-gerstberger-surfboard/) - Brian Prugh covers the mixture of ancient and contemporary in Yann Gerstberger's exhibition at Michael Jon Gallery.
- [The Beachhead of the Global South](https://miamirail.org/visual-arts/the-beachhead-of-the-global-south/)
- [Miami Performance International Festival](https://miamirail.org/reviews/miami-performance-international-festival/) - Eddie Arroyo discusses this small but impressive summer festival in Miami.
- [Caribbean: Crossroads of the World ](https://miamirail.org/reviews/caribbean-crossroads-of-the-world/) - Janet Batet reviews the works of the melange of cultures represented in this recent PAMM exhibition.
- [Until The Marrow Spills](https://miamirail.org/essays/until-the-marrow-spills/) - Justin H. Long shares the scars of the generations of BMX racers in his family.
- [Echolocation: On Set with the Borscht Film Festival](https://miamirail.org/winter-2014/echolocation-on-set-with-the-borscht-film-festival/)
- [Nicole Cherubini](https://miamirail.org/winter-2014/nicole-cherubini/)
- [INTERIOR DECORATING ](https://miamirail.org/winter-2014/interior-decorating/)
- [Fringe Projects](https://miamirail.org/winter-2014/fringe-projects/)
- [Daniel Arsham](https://miamirail.org/winter-2014/daniel-arsham/)
- [FROM <em>MICHAEL MADONNA</em>](https://miamirail.org/winter-2014/from-michael-madonna/)
- [Facadism: “Who Goes There? Speak up or get a facelift!”](https://miamirail.org/essays/facadism-who-goes-there-speak-up-or-get-a-facelift/)
- [Thinking Outside the Academy](https://miamirail.org/essays/thinking-outside-the-academy/)
- [Excited Delirium: Graffiti and Miami](https://miamirail.org/essays/excited-delirium-graffiti-and-miami/)
- [MiamiHistory / HistoryMiami](https://miamirail.org/essays/miamihistory-historymiami/)
- [Prospecting](https://miamirail.org/visual-arts/prospecting/)
- [Carlos Martiel](https://miamirail.org/winter-2014/carlos-martiel/)
- [Adler Guerrier:  Formulating a Plot](https://miamirail.org/reviews/adler-guerrier-formulating-a-plot/)
- [Fleeting Imaginaries](https://miamirail.org/reviews/fleeting-imaginaries/)
- [A Portrait of Punk ](https://miamirail.org/reviews/a-portrait-of-punk/)
- [GOLD](https://miamirail.org/reviews/gold/)
- [Echos Myron](https://miamirail.org/winter-2014/echos-myron/)
- [Rafael Domenech: Time / Memory / Context](https://miamirail.org/reviews/rafael-domenech-time-memory-context/)
- [Claudia La Rocco,  <em>The Best Most Useless Dress</em>](https://miamirail.org/winter-2014/claudia-la-rocco-the-best-most-useless-dress/)
- [Bruno Latour](https://miamirail.org/winter-2014/bruno-latour/)
- [John Baldessari](https://miamirail.org/winter-2014/john-baldessari/)
- [Robert Winthrop Chanler](https://miamirail.org/reviews/robert-winthrop-chanler/)
- [Julian Schnabel](https://miamirail.org/winter-2014/julian-schnabel/)
- [Pedro Reyes](https://miamirail.org/winter-2014/pedro-reyes/)
- [Lauri Firstenberg: In Conversation With Tobias Ostrander](https://miamirail.org/visual-arts/lauri-firstenberg-in-conversation-with-tobias-ostrander/)
- [Art404 IRL (In Real Life)](https://miamirail.org/reviews/art404-irl-in-real-life/)
- [Points Of Reference](https://miamirail.org/visual-arts/points-of-reference/)
- [Harry Pussy Gianni Versace Bass Museum](https://miamirail.org/performing-arts/harry-pussy-gianni-versace-bass-museum/)
- [SAVE THE DATE! ](https://miamirail.org/events/save-the-date/)
- [Miami Light and Texture](https://miamirail.org/52-reviews/miami-light-and-texture/)
- [Virginia Overton](https://miamirail.org/summer-2014/virginia-overton/)
- [FALL 2014 RELEASE PARTY](https://miamirail.org/events/fall-2014-release-party/) - Saturday September 13, 2014 7-10 PM Locust Projects 3852 N Miami Ave, Miami, FL 33127
- [Poor Happy: Kelly Boehmer, Andrew Nigon, and Carmen Tiffany](https://miamirail.org/52-reviews/poor-happy-kelly-boehmer-andrew-nigon-and-carmen-tiffany/)
- [Jorge Sánchez, The Opa-locka Effect](https://miamirail.org/52-reviews/jorge-sanchez-the-opa-locka-effect/)
- [Andrew Horton, Meta Gallery](https://miamirail.org/52-reviews/andrew-horton-meta-gallery/)
- [Freshly Squeezed](https://miamirail.org/52-reviews/freshly-squeezed/)
- [Karen Rifas](https://miamirail.org/52-reviews/karen-rifas/)
- [Simon Starling](https://miamirail.org/52-reviews/simon-starling/)
- [William Cordova, Ceiba: Reconsidering Ephemeral Spaces](https://miamirail.org/52-reviews/william-cordova-ceiba-reconsidering-ephemeral-spaces/)
- [Let Loose Upon The Earth](https://miamirail.org/summer-2014/let-loose-upon-the-earth/)
- [The Look](https://miamirail.org/52-reviews/the-look/)
- [I think it's in my head](https://miamirail.org/52-reviews/i-think-its-in-my-head/)
- [Kick-Ass](https://miamirail.org/summer-2014/kick-ass/)
- [Italian Futurism, 1909-1944: Reconstructing the Universe](https://miamirail.org/reviews/italian-futurism-1909-1944-reconstructing-the-universe/)
- [Alex Gartenfeld: In Conversation With Heather Flow](https://miamirail.org/visual-arts/alex-gartenfeld-in-conversation-with-heather-flow/)
- [Our Beloved Shithole: A Eulogy for Churchill’s Pub](https://miamirail.org/essays/our-beloved-shithole-a-eulogy-for-churchills-pub/)
- [Life on the Porch of the Cardozo Hotel ](https://miamirail.org/essays/life-on-the-porch-of-the-cardozo-hotel/)
- [Harry Dodge](https://miamirail.org/performing-arts/harry-dodge/)
- [Metabolic Bodies ](https://miamirail.org/reviews/metabolic-bodies/)
- [El Anatsui, Gravity and Grace](https://miamirail.org/reviews/el-anatsui-gravity-and-grace/)
- [Zachary Fabri, Forget me not, as my tether is clipped](https://miamirail.org/reviews/zachary-fabri-forget-me-not-as-my-tether-is-clipped/)
- [Richard Hamilton](https://miamirail.org/reviews/richard-hamilton/)
- [Karen Russell's SLEEP DONATION](https://miamirail.org/reviews/karen-russells-sleep-donation/)
- [The Lightheaded View from the Helipad](https://miamirail.org/summer-2014/the-lightheaded-view-from-the-helipad/)
- [Davy Rothbart](https://miamirail.org/summer-2014/davy-rothbart/)
- [Matter is a Word, a Noise: Dawn Kasper at Cannonball](https://miamirail.org/performing-arts/matter-is-a-word-a-noise-dawn-kasper-at-cannonball/)
- [Jenelle Porter](https://miamirail.org/visual-arts/jenelle-porter/)
- [Miami Drift](https://miamirail.org/visual-arts/miami-drift/)
- [Farewell to the Breuer - The 2014 Whitney Biennial](https://miamirail.org/summer-2014/farewell-to-the-breuer-the-2014-whitney-biennial/)
- [Zoe Strauss](https://miamirail.org/visual-arts/zoe-strauss/)
- [Utopia and the Golden Corral](https://miamirail.org/essays/utopia-and-the-golden-corral/)
- [Living, Together: Architectural Cohabitation](https://miamirail.org/essays/living-together-architectural-cohabitation/)
- [Dan Mitchell, Stallinnism](https://miamirail.org/52-reviews/dan-mitchell-stallinnism/)
- [Christina Pettersson, The Castle Dismal](https://miamirail.org/52-reviews/christina-pettersson-the-castle-dismal/)
- [Edouard Duval-Carrié, Imagined Landscapes](https://miamirail.org/spring-2014/edouard-duval-carrie-imagined-landscapes/)
- [Rat Bastard Ruined My Life: International Noise Conference 2014](https://miamirail.org/performing-arts/rat-bastard-ruined-my-life-international-noise-conference-2014/)
- [Bhakti Baxter, 2014](https://miamirail.org/52-reviews/bhakti-baxter-2014/)
- [Tatiana Vahan, A Narrative of An Artist Exploring Capitalism](https://miamirail.org/52-reviews/tatiana-vahan-a-narrative-of-an-artist-exploring-capitalism/)
- [Flume](https://miamirail.org/performing-arts/flume/)
- [Christy Gast, Inholdings](https://miamirail.org/52-reviews/christy-gast-inholdings/)
- [Pavel Acosta, Stolen From the Met](https://miamirail.org/52-reviews/pavel-acosta-stolen-from-the-met/)
- [Trading Places II](https://miamirail.org/web-exclusives/trading-places-ii/)
- [Human, So Human / Illusionist, So, Illusionist](https://miamirail.org/52-reviews/human-so-human-illutionist-so-illusionist/)
- [John Opera, Equivalent Simulation](https://miamirail.org/52-reviews/john-opera-equivalent-simulation/)
- [BACKYARD CONCERT + BBQ by Paper Boats Sunday](https://miamirail.org/events/backyard-concert-bbq-by-paper-boats-sunday/)
- [Luis Gispert, Tender Game](https://miamirail.org/52-reviews/luis-gispert-tender-game/)
- [The Funambulist: Design, Bodies, and Politics with Léopold Lambert](https://miamirail.org/events/the-funambulist-design-bodies-and-politics-with-leopold-lambert/)
- [Jenny Brillhart, Noonday](https://miamirail.org/52-reviews/jenny-brillhart-noonday/)
- [Joseriberto Perez, A Durable Scale of Values](https://miamirail.org/52-reviews/joseriberto-perez-a-durable-scale-of-values/)
- [Futurism, Fascism, and Italianità](https://miamirail.org/52-reviews/futurism-fascism-and-italianita/)
- [William Gibson](https://miamirail.org/spring-2014/william-gibson/)
- [Better Homemaking: Los Angeles and Miami](https://miamirail.org/essays/better-homemaking-los-angeles-and-miami/)
- [Alan Gutierrez: Nobody Knows Me Better Than You](https://miamirail.org/reviews/alan-gutierrez-nobody-knows-me-better-than-you/)
- [Leapfrog and Other Stories](https://miamirail.org/reviews/leapfrog-and-other-stories/)
- [Christopher Garrett and Frank Haines: Peace Off Mind](https://miamirail.org/52-reviews/christopher-garrett-and-frank-haines-peace-off-mind/)
- [Poem](https://miamirail.org/spring-2014/poem/)
- [Flush Times: Marquee Magazine and Miami of the ‘80s](https://miamirail.org/essays/flush-times-marquee-magazine-and-miami-of-the-80s/)
- [John G. Hanhardt](https://miamirail.org/performing-arts/john-g-hanhardt/)
- [Barnacles on the Boat: Notions of Literature at the Key West Literary Seminar](https://miamirail.org/spring-2014/barnacles-on-the-boat-notions-of-literature-at-the-key-west-literary-seminar/)
- [Virginia Poundstone, BOG-MIA](https://miamirail.org/reviews/virginia-poundstone-bog-mia/)
- [R. Luke DuBois, NOW](https://miamirail.org/reviews/r-luke-dubois-now/)
- [JPW3, Solid Single Burner](https://miamirail.org/reviews/jpw3-solid-single-burner/)
- [Present Tense Future Perfect](https://miamirail.org/reviews/present-tense-future-perfect/)
- [Xaviera Simmons, Open](https://miamirail.org/reviews/xaviera-simmons-open/)
- [Permission to be Global: Latin American Art from the Ella Fontanals-Cisneros Collection](https://miamirail.org/reviews/permission-to-be-global-latin-american-art-from-the-ella-fontanals-cisneros-collection/)
- [ Americana (Pérez Art Museum Miami: December 4, 2013 – May 1, 2014)](https://miamirail.org/reviews/americana-perez-art-museum-miami-december-4-2013-may-1-2014/)
- [Designing Complaints](https://miamirail.org/visual-arts/designing-complaints/)
- [Kadar Brock](https://miamirail.org/visual-arts/kadar-brock/)
- [Public Art In Miami: PortMiami and Beyond](https://miamirail.org/visual-arts/public-art-in-miami-portmiami-and-beyond/)
- [Simulacrum and Simulacrum: Miami Between Itself](https://miamirail.org/visual-arts/simulacrum-and-simulacrum-miami-between-itself/)
- [Peter Eleey](https://miamirail.org/visual-arts/peter-eleey/)
- [Hong Kong Garden](https://miamirail.org/essays/hong-kong-garden/)
- [Paola Santoscoy](https://miamirail.org/visual-arts/paola-santoscoy/)
- [Class and Press in the New Miami](https://miamirail.org/essays/class-and-press-in-the-new-miami/)
- [Cristina García Rodero: Rituales en Haití](https://miamirail.org/52-reviews/cristina-garcia-rodero-rituales-en-haiti/)
- [Magnus Sodamin: Into the Rainbow Vein](https://miamirail.org/52-reviews/magnus-sodamin-into-the-rainbow-vein/)
- [Curated Session #1: Open files with Dora García](https://miamirail.org/52-reviews/curated-session-1-open-files-with-dora-garcia/)
- [Esto No Es Un Museo: Artefactos móviles al acecho](https://miamirail.org/web-exclusives/esto-no-es-un-museo-artefactos-moviles-al-acecho/)
- [ODESZA](https://miamirail.org/performing-arts/odesza/)
- [Beatriz Monteavaro: Ouroboros](https://miamirail.org/web-exclusives/beatriz-monteavaro-ouroboros/)
- [Betty Woodman—CONTRO VERSIES CONTRO VERSIA: An inaccurate history of painting and ceramics](https://miamirail.org/reviews/betty-woodman-contro-versies-contro-versia-an-inaccurate-history-of-painting-and-ceramics/)
- [Newz!: Math Bass](https://miamirail.org/reviews/newz-math-bass/)
- [Ai Weiwei](https://miamirail.org/visual-arts/ai-weiwei/)
- [Ruth & Marvin Sackner](https://miamirail.org/winter-2013/ruth-marvin-sackner/)
- [Unique, Unique-er, Unique-est](https://miamirail.org/fall-2012/unique-unique-er-unique-est/)
- [Love of Technology](https://miamirail.org/reviews/love-of-technology/) - Even those not haunted by dystopian technological nightmares may well have experienced the commonplace urge to both embrace and reject new technologies, and this exhibition encourages us to examine our relationship with technology by addressing both our enthusiasm for new advances and fears that technology will replace us.
- [Gold and Ice Cream: Two Paths for Colombian Contemporary Art](https://miamirail.org/visual-arts/gold-and-ice-crean-two-paths-for-colombian-contemporary-art/)
- [And Every Day Was Overcast](https://miamirail.org/reviews/and-every-day-was-overcast/) - Paul Kwiatkowski’s illustrated novel And Every Day Was Overcast is a series of Erik Persoff stories. Here are bright kids who might have turned out fine in another state but are doomed by the fact that they were born here: two sisters who live behind a biker’s tavern, a kid obsessed with his transistor radio, the daughter of a single mom who believes her kids should do drugs at home “because it’s safer.”
- [John Divola: As Far As I Could Get](https://miamirail.org/reviews/john-divola-as-far-as-i-could-get/) - As Far As I Could Get is John Divola’s long overdue, first museum survey. With an unusual twist, the presentation splits four decades of Divola’s practice across three Southern California institutions. The show runs concurrently at the Santa Barbara Museum of Art (SBMA), Los Angeles County Museum of Art (LACMA) and Pomona College Museum of Art.
- [End Game Aesthetics: Aramis Gutierrez](https://miamirail.org/reviews/end-game-aesthetics-aramis-gutierrez/) - It is potential energy, buzzing with doubt and hope, that describes the imagery of End Game Aesthetics, the new solo exhibition from Aramis Gutierrez. But while he maintains a comfortable distance from many of the historical events which inspired his works, he allows for painting itself to steer its viewer towards a reincarnation of the energies prior to, during, and directly following a ballet dance. These paintings convey a desire to move politically difficult and historically messy events to the forefront; the artist's hand is still moved by the romance of dance, but it is not without the gravity of how the world of dance operates: commanded by borders, contracts, rivalries, and state secrets.
- [Chlorophyll Bluess: Molly Zuckerman-Hartung](https://miamirail.org/reviews/chlorophyll-bluess-molly-zuckerman-hartung/) - As you enter the gallery you encounter the name of the exhibition, Chlorophyll Bluess, painted directly on the wall in neon pink and blue. You create a narrative around this seemingly sudden inner impulse to paint, imagining the artist up on a ladder or on a chair with a can of spray paint and the lace placemat she used for a stencil. This is the same type of sequence of actions that is pictured when you look at assemblage art. A narrative is formulated around the artist building the object.
- [Rococo Chanel: Loriel Beltran](https://miamirail.org/reviews/rococo-chanel-loriel-beltran/) - In his solo exhibition Rococo Chanel, on view at the aptly titled gallery Guccivuitton, Loriel Beltran examines the visual language of taste and luxury. The show features a series of paintings that directly engage with the photographs one finds littered in the pages of fashion magazines. Beltran appropriates images from highly sexual advertisements and fashion shoots and presents them in a jumble of tan body parts.
- [Catherine Czacki/April Street](https://miamirail.org/reviews/catherine-czackiapril-street/) - In this intimate exhibition of California-based Catherine Czacki and April Street, sculptures and wall-hangings are connected by their common link to the human body, albeit not in a literal sense. In each, the body is an inferred presence and deferred absence. The artists highlight how things are never simply objects, which leads the viewers/lives to begin an analysis of the place of objects in their own life.
- [Three Poems](https://miamirail.org/winter-2013/three-poems/) - in the bolted dusk of imagination, this bridge uncurls its busted lugs & screws in a fishhook shape—just like the keys on the last saxophone Sonny Rollins stashed up here for his bridge practices. Those keys—a hexagon for rust’s trail of exhaust pipes & slowfooted battleships. Always, oxidation over a convoy of striped bass & trash barges built up with old stoves, empty canteens, & tire shavings—a heap taller than the barge pilots themselves.
- [Miami's Architecture Boom?](https://miamirail.org/essays/miamis-architecture-boom/)
- [The Greenhouse Affect](https://miamirail.org/essays/the-greenhouse-affect/)
- [To be of use.](https://miamirail.org/essays/to-be-of-use/)
- [The Emerald House](https://miamirail.org/performing-arts/the-emerald-house/) - It was a simple performance by the troupe [ce n'est pas nous]. As composer Matthew Evan Taylor played first a saxophone and then a toy piano, dancer Priscilla Marrero moved across the floor and began interacting with a modular wooden box built by sculptor Ferrán Martín, dressed as either a magician or a petit-bourgeois architect. At one point, a smoke bomb filled the room. The performance, which lasted only thirty minutes, took place at Inkub8 and again at the Lotus House Women’s Shelter in Overtown, Miami in Fall 2013. The three spoke with The Miami Rail Editor Hunter Braithwaite about the performance, the relationship between modular architecture and the body, jazz, and urban planning.
- [Manuela Moscoso](https://miamirail.org/visual-arts/manuela-moscoso/)
- [Who is Tracey Emin Today?](https://miamirail.org/visual-arts/who-is-tracey-emin-today/)
- [Nathlie Provosty's New Paintings](https://miamirail.org/visual-arts/nathlie-provostys-new-paintings/)
- [McKenzie Wark](https://miamirail.org/winter-2013/mckenzie-wark/) - The Miami Rail asked artist and frequent contributor Nicolas Lobo to speak to McKenzie Wark. He teaches at the New School and has published several books including Gamer Theory, The Beach Beneath the Street and most recently, The Spectacle of Disintegration. Here, they discuss the military, technology, and videogames.
- [ARTISSIMA 2013](https://miamirail.org/reviews/artissima-2013/)
- [Utopia/Dystopia: An Interview with YACHT’s Claire Evans](https://miamirail.org/web-exclusives/utopiadystopia-an-interview-with-yachts-claire-evans/)
- [Hew Locke: In Conversation With Jarrett Earnest](https://miamirail.org/visual-arts/hew-locke-in-conversation-with-jarrett-earnest/)
- [Correspondences: Ad Reinhardt at 100](https://miamirail.org/events/1600/)
- [Fall Fundraiser](https://miamirail.org/events/fall-fundraiser/)
- [The State of the Book: Antonia Wright and Ruben Millares](https://miamirail.org/reviews/the-state-of-the-book-antonia-wright-and-ruben-millares/) - Kate Peters reviews the interactive installation at Spinello Projects, The State of the Book.
- [How Raw Data Double-Crossed Miami's Artists](https://miamirail.org/visual-arts/culture-brokers-how-raw-data-double-crossed-miamis-artists/)
- [When I Die I'll Make Films in Hell: Doris Wishman in Miami](https://miamirail.org/performing-arts/when-i-die-ill-make-films-in-hell-doris-wishman-in-miami/)
- [Eve Sussman: Rufus Corporation](https://miamirail.org/reviews/eve-sussman-rufus-corporation/)
- [John Baldessari: Installation Work 1987-1989](https://miamirail.org/reviews/john-baldessari-installation-work-1987-1989/) - Jarrett Earnest reviews the John Baldessari Installation on view at the Marian Goodman Gallery of New York from July 27 - August 23, 2013.
- [The Lost Boys: Doğan Arslanoğlu and Johnny Laderer](https://miamirail.org/reviews/the-lost-boys-dogan-arslanoglu-and-johnny-laderer/) - Local Miami artists Doğan Arslanoğlu and Johnny Laderer bring The Lost Boys to the David Castillo Gallery of Wynwood. Reviewed by Monica Uszerowicz for the Miami Rail.
- [Bookleggers/<em>The Art Book Review</em>](https://miamirail.org/web-exclusives/bookleggersthe-art-book-review/)
- [Decidedly More Than Delirium: The 55th Venice Biennale](https://miamirail.org/visual-arts/decidedly-more-than-delirium-the-55th-venice-biennale/)
- [Porosity and the Pérez Art Museum Miami](https://miamirail.org/essays/porosity-and-the-perez-art-museum-miami/) - Georges Bataille once compared a visit to the museum to an internal cleansing: “A museum is like the lungs of a great city. The crowd floods in the museum every Sunday like blood and it leaves purified and fresh.”
- [On Contemporary Regionalism in South Florida](https://miamirail.org/essays/on-contemporary-regionalism-in-south-florida/) - Regionalism is a reflection of an amalgamation of history, context and comparison that hinges on geography, sociology and culture. It can become a conversation littered with many –zations, and –isms and –ologies. That’s what happens when aesthetics are assigned to words in the name of record, yet recording movements is what makes them transcend time and place.
- [The Facade and the Hype Man](https://miamirail.org/fall-2013/the-facade-and-the-hype-man/) - The following are excerpts from a discussion between Miami Rail Visiting Writer John Menick, Domingo Castillo, and moderated by Hunter Braithwaite. Stitched together from conversations taking place in Miami and via email, the following is an investigation into cultural mores unique to this city.
- [Jonas Mekas](https://miamirail.org/visual-arts/jonas-mekas/) - Jonas Mekas is a leading figure of 20th-century avant-garde film and one of the founders of the Anthology Film Archives in Manhattan. Arriving in New York in 1949 after escaping a Nazi work camp in Hamburg, Mekas has worked as a writer, filmmaker and artist.
- [T.D. Allman](https://miamirail.org/fall-2013/t-d-allman/) - In 1987 T.D. Allman published one of the definitive accounts of modern Miami. Miami: City of the Future was as unapologetic as it was prescient. Since then, he has written on many different topics, including another book on the history of Florida.
- [Jason Galbut](https://miamirail.org/fall-2013/jason-galbut/) - Jason Galbut is a Miami-based artist whose large-scale paintings interpret the strategies and promise of Modernism. MOCA Curator Alex Gartenfeld, who has included the painter in his forthcoming exhibition Love of Technology, asks Galbut how painting might figure in a discussion of futuristic objects.
- [<em>Dark Nights of the Universe</em>](https://miamirail.org/reviews/dark-nights-of-the-universe/) - Hunter Braithwaite reviews Dark Nights of the Universe, a four-author consideration of mysticism in Francois Laurelle's work "Du Noir Univers".
- [Martin Kippenberger: <em>Sehr Gut | Very Good</em>](https://miamirail.org/reviews/martin-kippenberger-sehr-gut-very-good/) - Rob Goyanes reviews Martin Kippenberger's Sehr Gut | Very Good in the Hamberger Bahnhof, Berlin.
- [Monica Majoli](https://miamirail.org/fall-2013/monica-majoli/) - I am at the Frieze Art Fair on May 18, 2013 and it’s raining on the inflatable Paul McCarthy sculpture of Jeff Koons’ balloon dog. I’m looking at a painting by Monica Majoli, at complex forms rendered in shadow and the geometry of available flesh, dissolution of youth in the dark, this opening in me like a wound without recourse to a mend is totally Frieze...
- [Meredyth Sparks: So I Will Let It Alone And Talk About The House](https://miamirail.org/fall-2012/meredyth-sparks-so-i-will-let-it-alone-and-talk-about-the-house/)
- [Los Jaichackers: Far From the Standard at The Standard](https://miamirail.org/web-exclusives/los-jaichackers-far-from-the-standard-at-the-standard/)
- [Fall 2013 Release Party](https://miamirail.org/events/fall-2013-release-party/)
- [Donald Chauncey: In conversation with Barron Sherer](https://miamirail.org/performing-arts/donald-chauncey-in-conversation-with-barron-sherer/)
- [Bonnie Clearwater on Leaving MOCA](https://miamirail.org/web-exclusives/bonnie-clearwater-on-leaving-moca/)
- [P. Scott Cunningham Reads Jean Genet](https://miamirail.org/web-exclusives/p-scott-cunningham-reads-jean-genet/)
- [Arnold Mesches: A Life's Work](https://miamirail.org/reviews/arnold-mesches-a-lifes-work/)
- [Memorization ](https://miamirail.org/summer-2013/memorization/)
- [Mike Tyson: Undisputed Truth](https://miamirail.org/reviews/mike-tyson-undisputed-truth/)
- [Hernan Bas: Boys in Peril?](https://miamirail.org/reviews/hernan-bas-boys-in-peril/)
- [Men in Miami Hotels by Charlie Smith](https://miamirail.org/reviews/men-in-miami-hotels-by-charlie-smith/)
- [A Shout in the Street: O, Miami's Takeover of the County](https://miamirail.org/summer-2013/a-shout-in-the-street-o-miamis-takeover-of-the-county/)
- [Brookhart Jonquil: in a Perfect World <br> Rene Barge: Relay ](https://miamirail.org/reviews/brookhart-jonquil-in-a-perfect-world-rene-barge-relay/)
- [On Taste](https://miamirail.org/performing-arts/on-taste/)
- [Bubbles in Paradise? Stay Tuned.  <br> QATAR, DUBAI, ABU DHABI, SHARJAH](https://miamirail.org/essays/bubbles-in-paradise-stay-tuned-qatar-dubai-abu-dhabi-sharjah/)
- [The New Wynwood](https://miamirail.org/summer-2013/the-new-wynwood/)
- [Culture Brokers](https://miamirail.org/summer-2013/culture-brokers/)
- [The New Rijks: Consecrating the Museum in the 21st Century](https://miamirail.org/summer-2013/the-new-rijks-consecrating-the-museum-in-the-21st-century/)
- [The Source Family](https://miamirail.org/web-exclusives/interview-with-jodi-wille-director-of-the-source-family/)
- [ICEAGE](https://miamirail.org/performing-arts/iceage/)
- [The Autobiography of Jim Drain](https://miamirail.org/essays/the-autobiography-of-jim-drain/)
- [LOVELIKETHEUNIVERSE](https://miamirail.org/reviews/loveliketheuniverse/)
- [Taste](https://miamirail.org/web-exclusives/taste/)
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- [Justin Long](https://miamirail.org/tag/justin-long/)
- [Shirin Neshat](https://miamirail.org/tag/shirin-neshat/)
- [Iranian art](https://miamirail.org/tag/iranian-art/)
- [Karen Mathews](https://miamirail.org/tag/karen-mathews/)
- [Mark Epstein](https://miamirail.org/tag/mark-epstein/)
- [Guide to getting over yourself](https://miamirail.org/tag/guide-to-getting-over-yourself/)
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- [Claire Breukel](https://miamirail.org/tag/claire-breukel/)
- [Burmesha](https://miamirail.org/tag/burmesha/)
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