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13-040 Nathlie Provosty

Approaching from a distance, Nathlie Provosty’s “Doubleu (Dark)” (2013)’s first surprise is the discovery, upon getting near enough, that pictorial space in the work is not as resolutely flat as it initially appears, despite the apparent reductivism of her monochromatic palette. The painting’s central heraldic “U” form pushes forward with a slight pulsation, especially depending on the quality of the light that illuminates it, while the painted field as a whole seems to rotate slightly to the left and right depending on where one is standing.

Aiweiwei

On the occasion of Ai Weiwei: According to What? at the Pérez Art Museum Miami (December 4, 2013 – March 16, 2014), the artist sat down in his Beijing studio with Patrick Rhine of the Ullens Center for Contemporary Art in November 2013. They spoke about the exhibition, immaturity and nihilism, and China’s current sociopolitical climate.

Tracey Emin, You Loved me like a distant Star

Tracey Emin’s career and life are inextricably conjoined. Her installations, sculptures, drawings and notorious neons from the last two decades are unmediated, honest accounts of her own life. Writing, in many forms, is central to her work and often appears as her own handwriting, the immediacy of which is captured and made permanent in her neons. These are the focus of her solo exhibition Angel Without You (December 4,2013 – March 9, 2014) at the Museum of Contemporary Art, North Miami.

Installation_image_LaJavanaise

Manuela Moscoso is an independent curator living in Rio de Janeiro. Together with Sarah Demeuse she runs the curatorial office Rivet. Here, The Miami Rail asked SculptureCenter Curator Ruba Katrib to speak to her about conditions surrounding curating in South America.

ErnestoNeto_Madremonte2

When you visit Bogotá, they tell you to go to the Gold Museum. They tell you to go to the Botero Museum, which is around the corner and shares a courtyard with the Museo del Banco de la República. They tell you to take the funicular up to the church on Monserrate, but you mustn’t move too quickly, because the city itself is 8,661 feet above sea level; in the mountains it’s over 10,000. Yes, many suffer from altitude sickness, which shares its symptoms with the flu, carbon monoxide poisoning, or hangover. While you’re here, you need to drink aguardiente, you need to eat chicharrón, have you visited the Gold Museum? Oh, and don’t get into a cab, or you’ll be kidnapped.